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Dumbgeons and Dragons will begin in a moment.

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The air in this space is shaking. You can feel waves emanating off of the banjo man. You hear

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all of these memories shattering all around you. Kavin, Bonwyn, you've just docked at this memory

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of Calder's where Bizard and... We've cut the engine and we've sidled right up. That's right,

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where Bizard and Alydin are inside. There are horrors climbing up onto your platform

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and all around this memory. Alydin, you look out and you see them. You see the two notes

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that they have. You and Bizard are inside of this memory where there's still no real

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acknowledgement from the Calder that's in here to you. What do you do?

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I think I'm going to go over to the edge and say,

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Bonwyn, maybe we need them all in here. I'm going to so very slowly and gently put my hand

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through the barrier. I don't want to break it. Please, God, don't break.

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It feels like you're reaching through marbles as your hand goes through it.

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I like marbles. I think I would like that sensory experience. I'm thinking right now,

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that sounds great. I'm like, well, that seems nice, kind of like cool and smooth.

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It's like a small ball pit. For your hand. For your hand, yeah.

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You extend your hand out. Bonwyn, you are next. We can do these kind of

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at the same time. So yeah, Alydin reaches through and a hand out. You see horrors now.

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They too see that the hand is coming out. It looks like they're moving quickly towards Alydin.

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Alydin snaps fingers.

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Oh, I was going to say, I assume Alydin's going for a high five.

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So I reach up.

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No. Now is not the time.

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And the memory breaks and everyone's dead.

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Dumbgeons and Dragons is a D&D actual play podcast and I'm your dungeon master,

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he, him. Also with me today is Amy More as Alydin, she, her.

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I just had a terrible moment that if I opened it up, maybe I would see myself inside of it.

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Carla Maxted as Bonwyn Everbane, she, her.

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Obviously you guys, I didn't say it, but I was creating a lasso with my rope this whole time.

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Tom Laird as Kavlaran Goldweave, he, him.

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With arms wide open.

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And Kyle Claset as Bazaar the Wizard, he, him.

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You just need to place them just like that.

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Dumbgeons and Dragons is a Patreon supported podcast and we'd love for you to join us over

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at patreon.com slash dumb dragon cast right now when you sign up, you'll get a seven day

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free trial and instant access to so many amazing bonus episodes, more of what you love.

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Come find it today at patreon.com slash dumb dragon cast.

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And now fuck it.

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Let's play.

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I will try Drew.

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I will try to put the notes in her hand.

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Okay.

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I mean, they're like notes with like the, there's like a skinny part.

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Yeah.

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Yeah, I'm thinking like, I can carry you so many wine glasses in one hand.

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Exactly.

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Yeah.

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Exactly.

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Alydin, you feel the notes enter your palm and clasp them, pull them back through,

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I assume.

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So slowly.

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So slowly, gently.

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Make a dexterity saving throw, please.

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Bonwyn, you do so as well.

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13.

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16.

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Alydin, you feel resistance as it's hard to see, but you see one of these shadowy

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creatures trying to grasp onto the music note itself.

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Bonwyn, what do you do in response to that?

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Oh, I'm going to hit it.

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Okay.

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That's your creature, not the memory.

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Of course.

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Yeah.

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Okay.

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Well, your dice will decide that, I guess, Bonwyn.

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Yeah, right.

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Roll damage.

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We'll say that success comes from the saving throw that you just did.

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Roll damage.

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Okay.

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So that is eight damage.

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You stab into it and it lifts its head and lets out this shrill scream as

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its arm fractures off.

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Dramatic.

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And this one disappears into the darkness, so now you quickly pull your hand back in.

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And as you do so, as these two notes enter this space, there is a...

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Explosion's not the right word to use right now.

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There's a burst of energy that both you and Bizard feel in this space,

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and it begins to brighten a little bit.

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Alydin turns to Bizard and is like, eh, waving.

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The whores outside are swarming this memory.

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They're hitting at it.

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They're biting at it.

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And we are just hoping that Bonwyn and Cav can help us.

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These creatures are no longer even remotely paying attention to you, Bonwyn or Cav.

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They are completely engulfing and swarming this memory, which it sounds like something

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is like crushing down, like you're inside of a can and it's being crushed from the outside.

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Bizard, it's your turn.

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So there are four notes.

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There's a distinguished environmental change as these notes came into this place.

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What do you want to do?

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Does it have a monocle?

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How distinguished is it?

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Oh my god, Amy, I was just going to say the same thing,

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but I was waiting to see if there was a pause because they didn't want to interrupt him.

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I was like, suddenly everyone's wearing a top hat.

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Tuxedos abound.

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Bow ties.

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From my experience with illusion magic,

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would this change make it seem like something went from being ethereal to tangible?

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I guess in a sense.

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Okay, I'm going to try to just reach out and place my hand on Calder's shoulder.

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That's nice, I would have slapped a bitch.

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Yeah, you reach out and you touch him and for the first time in this space,

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like you feel that he is solid and there.

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As you touch him, he still does not acknowledge you though.

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Rude.

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Okay.

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You see these four notes, the two that you already had, two that are in Alydin's hand,

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and you look down at, oh and the music box.

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Can't forget the music box is in there too.

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Playing its tune over and over again.

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Make an insight or intelligence check, please.

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Okay, try this again.

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That's a 10.

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With Alydin's assistance, maybe you roll with advantage.

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You got this.

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You're both thinking about it very hard.

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That's a 18.

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So with these four notes in place, with your ability to sense and feel Calder in this space,

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you see the notes now.

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Maybe it's your musical training, maybe it's just you've gone completely insane

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and this place has taken your mind, but the notes begin to arrange themselves for you.

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You see, you hear the loop of the music that's been playing constantly

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and you see the notes that you have in front of you and you are able to see a pattern

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in how the music's playing and the notes that you have in this space.

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I begin to arrange the notes, turning back and I say,

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Alydin, I think I know how the notes go.

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You just need to place them just like that.

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They're like teasing us there.

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And Alydin was like, oh, thank God, okay.

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And as you place them and as you hear the loop get to the point where it starts,

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you know, it hits the repeat and it goes back,

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it begins to play the notes that you have in front of you.

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The correct melody plays and the last one sustains

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and everything around you begins to shake violently.

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Calder in this memory looks like he's having a eureka moment.

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He gets up and you see, you see on the page,

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which he's been writing and crumpling and writing and crumpling,

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he's finished whatever this song is.

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And as this correct melody plays, everything trembles.

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You turn and look back out and you see the horrors backing off and away.

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And through the darkness, you see the banjo man clutching his head

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and screaming as cracks are racing across his body.

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No, no, I just wanted to fix it to mend the song and make it whole.

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And his form begins to dissolve.

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The strings of his being snapped one by one like a broken instrument.

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The floating fragments of reality begin to wither into dust.

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Everything in this memory, you feel closing in on you.

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I grab Alydin and jump out of it.

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Make an acrobatics or athletics check, please.

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Yes. Yes, I will attempt that.

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That's a seven. Take a picture.

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Okay. Send it to Jess.

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Do I need to make one? Or did he just pull me into the abyss?

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I didn't agree to this, but okay. I know, I know.

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I assume, I mean, obviously you guys, I didn't say it,

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but I was creating a lasso with my rope this whole time on the other.

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Very Wonder Woman-esque, of course.

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You know, just like you do.

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There's a little downtime, right?

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Sure.

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Cav and I are just like, what's going on in there?

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How you doing?

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From the outside, Bonwyn and Cav, you see,

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you feel this wave and you turn and you see the same thing from the banjo man.

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You look back and you see Bazaard grab Alydin and run and jump.

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And it's, as they do, they come out of the memory

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and it's like now they're floating.

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They're unable to come back down towards the platform that you are on.

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Cav, you're up next. What do you do?

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Breaks out to define gravity.

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I like floating so much better than falling.

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So like, okay.

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But also like in space, that is terrifying.

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Oh, so terrifying, but you know.

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I guess just like try to ready myself for whatever's going to happen with this.

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Breaking situation.

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Like you'd sing Creed, open arms and open your arms.

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Catch them with arms wide open.

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Like when we say we've come out and are floating away.

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How far away are we from them?

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Well, you were like right side by side.

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So like, yeah, we were right beside and you're like going upwards.

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You're on an upwards trajectory.

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Okay.

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Yeah, but like not reachable by me.

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What's your vert?

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Yeah.

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Oh, we know what the vert is because there's a high jump.

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Oh, there's a high jump.

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There's actually a mechanic for that in this game.

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I have learned.

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I thought jumping was just kind of like a...

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It's equal to three plus your strength modifier.

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Uh, high jump.

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Not without some assistance unless you have a sweet vert.

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I mean, I think I have an okay vert.

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It's not like overly great.

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Can you run towards me and I'll like oof you up.

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Love it.

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Yeah, sure.

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Love it.

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Okay.

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So you're going to run and...

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I'm sturdy.

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Like I can crouch down.

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Oh, and you're strong too because you do it.

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Exactly.

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Right?

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I tell Bonwyn, just like that night at the Quivering Hills dance party.

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We did a bit of a thing.

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It was quite impressive.

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Welcome to the middle, everybody.

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Oh, buddy.

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Oh, Russ.

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Oh, little Muppet Russ.

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Oh, that was great.

219
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It's exactly what I was hoping it would be.

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Welcome to the middle, everybody.

221
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Welcome to the middle.

222
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Mostly maybe Kyle and I will just talk because as you heard Russ, he can't really talk.

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Also, it's the middle of the day.

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So like I feel like there's going to be some weird energy.

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Yeah, yeah.

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It's like the middle-est middle.

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Middle-est middle of the day instead of evening when we normally record these.

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Yeah, yeah.

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We've had the day to get through.

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We're warmed up.

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Ready to kind of cool down.

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We'd be chilling with our people and, you know, playing D&D.

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But we're here now.

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We're going to do this damn thing.

235
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And right before we started recording, I started bullying Kyle.

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And I'm going to continue that because I thought it would be fun.

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We always talk about, oh, we have this whole other game over on Patreon.

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But if you don't have Patreon, you don't get to listen to it.

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We tell you Tom runs it.

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And he is a very easy, breezy DM.

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Very true.

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Yes, he is.

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Yes.

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But we never really talk about who we play.

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And since Kyle is like the newest character over there and his character rules,

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I thought maybe he could tell us a little bit about him.

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Yeah.

248
00:14:08,000 --> 00:14:09,840
So Nash Salmon Treats.

249
00:14:11,200 --> 00:14:17,120
He's a swashbuckling rogue ancestral guardian barbarian.

250
00:14:17,920 --> 00:14:20,000
So that's the multiclass that he's playing.

251
00:14:20,000 --> 00:14:23,600
But he's a lion or a leon, however you pronounce that.

252
00:14:24,639 --> 00:14:28,000
And he is named after his favorite treat.

253
00:14:28,000 --> 00:14:34,000
It's part of his group's naming convention is that once you become the age of a warrior,

254
00:14:34,000 --> 00:14:36,080
you name yourself after the favorite treats.

255
00:14:36,080 --> 00:14:39,200
And my name's Nash Salmon Treats because that's what I do, yo.

256
00:14:39,200 --> 00:14:48,800
So wait, is everybody in your group, is it like duck treats or is it like Oreo cookies?

257
00:14:48,800 --> 00:14:49,279
Yeah.

258
00:14:49,279 --> 00:14:49,759
Yeah?

259
00:14:49,759 --> 00:14:50,080
Yeah.

260
00:14:50,080 --> 00:14:51,039
It's just whatever.

261
00:14:51,599 --> 00:14:54,639
It's like, yo, this is what I associate with.

262
00:14:55,360 --> 00:14:57,679
It's like, you get your choice because every time it's like,

263
00:14:57,679 --> 00:14:58,799
okay, we're going out to battle.

264
00:14:58,799 --> 00:15:00,159
I'm making this up right now.

265
00:15:00,159 --> 00:15:02,959
But every time before an epic battle goes on,

266
00:15:02,959 --> 00:15:06,719
everybody gets to eat their favorite treat beforehand.

267
00:15:06,719 --> 00:15:09,199
Because it may be the last time they get to eat it.

268
00:15:09,199 --> 00:15:09,839
Exactly.

269
00:15:10,399 --> 00:15:11,120
I love that.

270
00:15:12,480 --> 00:15:15,039
And if you could, just to continue the bullying,

271
00:15:15,039 --> 00:15:20,719
could you give us just like a few, just because Nash really has a vibe.

272
00:15:21,279 --> 00:15:27,120
I would say, yeah, I just want you to, like, what does Nash sound like?

273
00:15:27,120 --> 00:15:32,240
So Nash is probably me in college for many reasons.

274
00:15:33,680 --> 00:15:36,399
But, you know, he's kind of just chill, just does his thing.

275
00:15:37,120 --> 00:15:38,080
Not very smart.

276
00:15:38,080 --> 00:15:40,240
Doesn't read books because that's nerd shit.

277
00:15:41,680 --> 00:15:43,120
But he's very wise.

278
00:15:43,120 --> 00:15:47,840
Like I found in our interactions with him, like he may not read good, but he-

279
00:15:47,840 --> 00:15:49,519
He's willing to be introspective.

280
00:15:49,519 --> 00:15:50,480
Doesn't read at all.

281
00:15:52,399 --> 00:15:53,279
He's complicated.

282
00:15:53,279 --> 00:15:57,360
He also really gave Amy's character a lot to think about

283
00:15:57,360 --> 00:16:00,639
because they were used to being the strong, powerful one.

284
00:16:00,639 --> 00:16:02,799
Why read a book when there's people to read?

285
00:16:02,799 --> 00:16:04,079
Those are what's happening in life.

286
00:16:04,079 --> 00:16:09,039
See, that's exactly the kind of thing that Nash is always dropping.

287
00:16:09,039 --> 00:16:12,240
Yeah, so there's a little bit of Nash salmon treats for you.

288
00:16:12,240 --> 00:16:13,360
Thanks, Kyle.

289
00:16:13,360 --> 00:16:14,319
Yeah, no problem.

290
00:16:14,319 --> 00:16:17,039
If you do join our Patreon as well as getting to know

291
00:16:17,120 --> 00:16:21,679
Nash Salmon Treats and our other characters better in our whole other show that we do over there,

292
00:16:22,319 --> 00:16:24,399
you also get an episode dedicated to you.

293
00:16:25,360 --> 00:16:30,559
And this week's Patron Says Muppet Russ is-

294
00:16:30,559 --> 00:16:32,480
Dartbot Billy.

295
00:16:33,759 --> 00:16:35,759
Thanks, Dartbot Billy.

296
00:16:35,759 --> 00:16:37,519
Dartbot Billy, not laughing at you.

297
00:16:37,519 --> 00:16:38,639
Just laughing at Russ.

298
00:16:40,639 --> 00:16:41,839
Dartbot Billy.

299
00:16:42,559 --> 00:16:46,399
I choose to believe that is not an avatar name.

300
00:16:46,399 --> 00:16:47,439
That is their real name.

301
00:16:47,439 --> 00:16:49,039
That's their real given name.

302
00:16:49,039 --> 00:16:50,639
Yeah, I like it.

303
00:16:50,639 --> 00:16:53,840
Dart is actually maybe a pretty cool name.

304
00:16:53,840 --> 00:16:54,959
Yeah, I think so.

305
00:16:54,959 --> 00:16:56,240
Dart, I can see, yeah.

306
00:16:56,240 --> 00:16:59,279
Yeah, although I guess here in Canada or maybe in the U.S. too,

307
00:16:59,279 --> 00:17:01,199
people say that means cigarette.

308
00:17:03,600 --> 00:17:04,559
So maybe it's not.

309
00:17:05,839 --> 00:17:08,400
Dartbot Billy altogether though, great given name.

310
00:17:08,400 --> 00:17:10,799
And that's why you should name your next child.

311
00:17:10,799 --> 00:17:14,240
Yes, everyone listening, please name your next child Dartbot Billy.

312
00:17:14,240 --> 00:17:16,799
Want to see a spike in that Dartbot Billy graph.

313
00:17:18,400 --> 00:17:22,400
Yeah, 20 years from now, there'll just be like a uptick, like crazy.

314
00:17:23,359 --> 00:17:24,880
People will be running for office.

315
00:17:24,880 --> 00:17:28,000
And it started here with you becoming a Patreon member.

316
00:17:28,000 --> 00:17:31,920
So if you too want to have an effect on the naming convention in history,

317
00:17:31,920 --> 00:17:34,640
hop on over to our Patreon.

318
00:17:36,079 --> 00:17:38,880
Patreon.com slash dumb dragon cast.

319
00:17:38,880 --> 00:17:40,400
Yeah, that's it.

320
00:17:40,400 --> 00:17:41,519
Thanks, friends.

321
00:17:41,519 --> 00:17:42,799
That was wonderful.

322
00:17:42,799 --> 00:17:44,399
We'll get you back to the episode

323
00:17:44,399 --> 00:17:47,279
and I will talk to you hopefully better next week.

324
00:17:48,240 --> 00:17:48,559
Love you.

325
00:17:48,559 --> 00:17:49,359
Bye.

326
00:17:49,359 --> 00:17:49,759
Love you.

327
00:17:49,759 --> 00:17:50,079
Bye.

328
00:17:54,000 --> 00:17:56,240
You are yeeting.

329
00:17:56,240 --> 00:17:58,960
You're yeeting, Cav, up into the air.

330
00:17:58,960 --> 00:18:00,399
Cav, you've been yeeting.

331
00:18:00,399 --> 00:18:01,200
You've been yeeting.

332
00:18:01,200 --> 00:18:02,399
First I did the eating.

333
00:18:02,399 --> 00:18:03,599
Now I'm being eaten.

334
00:18:03,599 --> 00:18:04,159
It's just been the life.

335
00:18:04,159 --> 00:18:07,200
And then hopefully I can catch you guys back because again,

336
00:18:07,759 --> 00:18:10,720
you're going to get them and then you're all just floating away.

337
00:18:10,720 --> 00:18:12,480
The yeety becomes the yeeter.

338
00:18:12,480 --> 00:18:14,480
The yeeter becomes the yeetee.

339
00:18:14,480 --> 00:18:17,279
Carla, make a dex check with your lasso

340
00:18:17,279 --> 00:18:19,039
as all of this is happening.

341
00:18:19,039 --> 00:18:20,160
Oh, a nat 20.

342
00:18:20,160 --> 00:18:20,480
Shit, yes.

343
00:18:20,480 --> 00:18:20,960
Oh, shit.

344
00:18:20,960 --> 00:18:21,920
Finally, finally.

345
00:18:21,920 --> 00:18:23,039
Take a picture.

346
00:18:23,039 --> 00:18:25,279
I've been saving it this whole time.

347
00:18:25,279 --> 00:18:26,160
For this moment.

348
00:18:26,160 --> 00:18:26,799
OK.

349
00:18:26,799 --> 00:18:28,000
For this moment.

350
00:18:28,000 --> 00:18:33,839
So Cav, you run forward and step into Bonwyn's hands

351
00:18:33,839 --> 00:18:38,480
and she launches you up and towards Alydin and Bazaar

352
00:18:38,480 --> 00:18:40,960
who are floating away and you grab hold of Alydin.

353
00:18:41,920 --> 00:18:46,559
And then feel a tug at your foot as you see that the rope

354
00:18:46,559 --> 00:18:49,200
that Bonwyn had is now around your ankle

355
00:18:49,200 --> 00:18:50,400
and she's holding you there.

356
00:18:51,039 --> 00:18:53,600
All around you, everything is collapsing.

357
00:18:53,600 --> 00:18:59,039
Memories are disappearing, but they're not breaking.

358
00:18:59,039 --> 00:19:01,440
They're not fracturing the same way that they did.

359
00:19:02,319 --> 00:19:07,759
And as the void collapses, you feel now all pulled back

360
00:19:07,759 --> 00:19:12,240
down towards Bonwyn as she's trying to anchor you there.

361
00:19:14,079 --> 00:19:21,440
After a quick moment, everything goes completely dark

362
00:19:22,400 --> 00:19:26,879
and then you feel cool grass under your hands.

363
00:19:30,000 --> 00:19:33,839
You all find yourselves in the clearing.

364
00:19:36,000 --> 00:19:37,039
Dawn is breaking.

365
00:19:37,759 --> 00:19:40,160
Wait, would you say it's a breaking Dawn situation?

366
00:19:41,680 --> 00:19:42,720
Maybe.

367
00:19:42,720 --> 00:19:44,079
Are we sparkling?

368
00:19:44,079 --> 00:19:45,279
Did we become vampires?

369
00:19:47,119 --> 00:19:49,839
Did anyone else feel weird that the end of the song was

370
00:19:49,839 --> 00:19:52,160
da na na na na na?

371
00:19:54,559 --> 00:19:56,960
I mean, it is of such a clear ending.

372
00:19:56,960 --> 00:19:57,440
Yeah.

373
00:19:57,440 --> 00:19:58,640
It actually was a great choice.

374
00:19:59,200 --> 00:20:02,799
The air around you still feels wrong.

375
00:20:02,799 --> 00:20:10,000
A distant rippling sound echoes across the space

376
00:20:11,440 --> 00:20:15,359
like a great harp being tuned.

377
00:20:17,200 --> 00:20:21,599
The wind carries a whisper, not of the banjo man,

378
00:20:21,599 --> 00:20:25,200
but of something older, something deeper.

379
00:20:27,759 --> 00:20:32,240
You hear the song was merely a symptom.

380
00:20:33,279 --> 00:20:40,960
The fracture still lingers and we are listening.

381
00:20:43,359 --> 00:20:44,480
The wind stops.

382
00:20:45,119 --> 00:20:47,279
Everything's silent for a moment.

383
00:20:47,279 --> 00:20:50,720
Alydin, you look down at your feet and the music box

384
00:20:51,599 --> 00:20:55,200
plays one final note and then stops.

385
00:21:03,119 --> 00:21:04,879
Damn, I thought you were going to say it explodes.

386
00:21:09,759 --> 00:21:12,639
In your face, the two hill points you had, they're gone.

387
00:21:16,639 --> 00:21:17,599
You're still all dead.

388
00:21:20,559 --> 00:21:23,680
Alydin will bend down and pick up the box.

389
00:21:26,000 --> 00:21:30,639
You hold it and it rattles like there's something loose or broken inside.

390
00:21:31,280 --> 00:21:33,520
Do you want me to light that on fire for you or?

391
00:21:33,520 --> 00:21:35,600
I just had a terrible moment that if I opened it up,

392
00:21:35,600 --> 00:21:37,680
maybe I would see myself inside of it.

393
00:21:37,680 --> 00:21:38,960
I pass it to Buzard.

394
00:21:38,960 --> 00:21:41,520
Uh, I'm going to take it, okay.

395
00:21:43,360 --> 00:21:47,520
I, you know, okay.

396
00:21:49,840 --> 00:21:53,360
It deserves observation, to say the least.

397
00:21:54,000 --> 00:21:58,960
You look across the clearing and the old warped tree

398
00:21:58,960 --> 00:22:05,120
that you used to climb into the fey is fractured and split.

399
00:22:06,160 --> 00:22:09,920
Still there, but it's like it's been axed in two.

400
00:22:13,600 --> 00:22:22,400
And coming out of the woods around you, you see all of the missing children.

401
00:22:23,120 --> 00:22:29,600
You see Tally run, sprint across the field towards you, Alydin.

402
00:22:29,600 --> 00:22:34,400
Jump into your arms, which likely knocks you on your ass again.

403
00:22:36,320 --> 00:22:36,960
Yeah.

404
00:22:36,960 --> 00:22:39,840
You see Cedric and his eye that works too hard

405
00:22:39,840 --> 00:22:43,920
and you see a whole bunch of other children all coming out

406
00:22:43,920 --> 00:22:45,200
that you don't recognize.

407
00:22:46,160 --> 00:22:47,440
They fill this clearing.

408
00:22:48,880 --> 00:22:50,000
There's so many of them.

409
00:22:50,000 --> 00:22:51,759
How long?

410
00:22:51,759 --> 00:22:52,960
June's going to be pissed.

411
00:22:54,640 --> 00:22:56,880
I want to, I want to look for the oldest one.

412
00:22:56,880 --> 00:23:01,599
You find a child that's 15 ish.

413
00:23:02,240 --> 00:23:03,519
Of similar age to myself.

414
00:23:03,519 --> 00:23:05,039
Of similar age to yourself.

415
00:23:05,039 --> 00:23:06,240
Age is just a number.

416
00:23:07,200 --> 00:23:13,279
Um, and I go up to them and where, where are you from?

417
00:23:14,799 --> 00:23:17,039
I'm, I'm from Kingstown.

418
00:23:17,039 --> 00:23:18,000
Where, where am I?

419
00:23:18,960 --> 00:23:24,000
Well, Vintersmouth ish.

420
00:23:24,000 --> 00:23:25,519
There's a look of confusion.

421
00:23:26,799 --> 00:23:30,000
I look, I look to Bazaar and I, and I shrug.

422
00:23:30,000 --> 00:23:31,759
I go, do we take them home with us?

423
00:23:32,720 --> 00:23:35,359
I mean, we can't leave them out here.

424
00:23:36,079 --> 00:23:38,480
You know, we have a good space working with the school.

425
00:23:39,279 --> 00:23:40,640
We have a plan in place.

426
00:23:41,600 --> 00:23:48,160
We can attempt to return those back to Kingstown,

427
00:23:48,160 --> 00:23:51,680
but I, who knows how long this has been happening.

428
00:23:51,680 --> 00:23:52,180
Um.

429
00:23:53,120 --> 00:23:54,160
Do you guys have parents?

430
00:23:54,880 --> 00:23:57,680
You see them look to each other

431
00:23:57,680 --> 00:24:00,160
and a lot of them are shaking their heads

432
00:24:00,160 --> 00:24:02,800
and couple are, couple are nodding,

433
00:24:02,800 --> 00:24:06,160
but the majority of them appear to not.

434
00:24:07,520 --> 00:24:09,200
You know, I bet you're hungry.

435
00:24:09,200 --> 00:24:10,320
You've been through a lot.

436
00:24:10,720 --> 00:24:14,560
Maybe we should, why don't we just go get a snack?

437
00:24:15,840 --> 00:24:18,960
Everything's going to make more sense

438
00:24:18,960 --> 00:24:20,480
or at least feel easier to deal with.

439
00:24:20,480 --> 00:24:22,800
If we just maybe go have a snack.

440
00:24:24,400 --> 00:24:25,200
What time is it?

441
00:24:25,200 --> 00:24:27,440
Is Dem Bunsdoe open?

442
00:24:27,440 --> 00:24:28,640
Oh, I bet they're open.

443
00:24:28,640 --> 00:24:30,000
You guys are going to love this place.

444
00:24:30,000 --> 00:24:30,560
It's so good.

445
00:24:32,160 --> 00:24:33,759
My treat, come on.

446
00:24:35,360 --> 00:24:37,600
You lead all these children out of this clearing

447
00:24:37,600 --> 00:24:39,040
and back towards Vintersmouth

448
00:24:40,000 --> 00:24:41,839
and we cut to those bunsdoe

449
00:24:43,200 --> 00:24:46,720
where everybody's in the street outside

450
00:24:46,720 --> 00:24:48,720
and you've, you've been.

451
00:24:48,720 --> 00:24:51,039
Approximately how many children are we talking about?

452
00:24:52,879 --> 00:24:54,399
Let's say a number.

453
00:24:54,399 --> 00:24:54,899
Yeah.

454
00:24:56,000 --> 00:24:57,279
Everybody roll a d20.

455
00:24:58,000 --> 00:24:58,960
Oh boy.

456
00:24:58,960 --> 00:25:01,039
Shit, things are about to get low.

457
00:25:01,039 --> 00:25:02,079
Not 20, no.

458
00:25:02,079 --> 00:25:02,879
Five.

459
00:25:02,879 --> 00:25:03,519
12.

460
00:25:03,519 --> 00:25:04,019
Six.

461
00:25:04,559 --> 00:25:06,480
Five, 12, six.

462
00:25:06,480 --> 00:25:07,599
That's right, Kyle, what'd you get?

463
00:25:08,159 --> 00:25:08,879
I got an 11.

464
00:25:09,039 --> 00:25:16,399
11, and 18, 19, there are 49 children in total.

465
00:25:17,119 --> 00:25:19,359
Oh wow, no wonder we couldn't find seating inside.

466
00:25:21,519 --> 00:25:23,440
As you get back to town though,

467
00:25:23,440 --> 00:25:28,159
everybody who you pass is shocked to see you.

468
00:25:29,759 --> 00:25:32,399
You walk through the hot block

469
00:25:32,399 --> 00:25:35,599
and Thane comes out of Everbane's

470
00:25:36,319 --> 00:25:38,159
and he sees you there, Bonwyn.

471
00:25:38,160 --> 00:25:41,040
And he says, you're, you're, you're, you came back, you're back.

472
00:25:42,720 --> 00:25:43,840
Of course, I mean, it's only,

473
00:25:45,200 --> 00:25:46,320
we had to go get the children.

474
00:25:48,560 --> 00:25:53,200
Well, he looks and you see a few people like,

475
00:25:54,400 --> 00:25:56,400
not running, but like see you

476
00:25:56,400 --> 00:25:58,880
and like they're going to go get somebody.

477
00:25:58,880 --> 00:26:00,320
After hearing that, I'm gonna,

478
00:26:00,320 --> 00:26:02,800
I, Bazaard's gonna go to that 15-year-old and be like,

479
00:26:03,680 --> 00:26:06,640
you, you say you're 15-year-old, 15 years old.

480
00:26:06,640 --> 00:26:08,080
What year were you born?

481
00:26:08,960 --> 00:26:09,840
Fuck.

482
00:26:11,519 --> 00:26:12,880
You there, boy.

483
00:26:12,880 --> 00:26:13,840
What year is it?

484
00:26:15,440 --> 00:26:21,519
He tells you a year that is several years earlier.

485
00:26:22,400 --> 00:26:23,680
So they're out of time.

486
00:26:23,680 --> 00:26:26,080
Like they've been, they were trapped there.

487
00:26:26,080 --> 00:26:28,400
He may be 15, but he should not be 15.

488
00:26:29,120 --> 00:26:29,620
Yes.

489
00:26:31,519 --> 00:26:34,480
And Thane looks to you and he says,

490
00:26:34,480 --> 00:26:37,040
you've been, you've all been gone.

491
00:26:37,119 --> 00:26:38,480
The kids kept disappearing.

492
00:26:39,039 --> 00:26:39,680
You found them.

493
00:26:39,680 --> 00:26:40,799
That's amazing.

494
00:26:40,799 --> 00:26:43,920
You see the guard running up the street

495
00:26:44,559 --> 00:26:47,519
and he says, you've been gone for three, three weeks.

496
00:26:49,359 --> 00:26:50,799
I thought he was going to say years.

497
00:26:50,799 --> 00:26:51,359
10 years.

498
00:26:51,359 --> 00:26:52,480
No, not doing that again.

499
00:26:55,119 --> 00:26:57,200
Three years would have been manageable though, but.

500
00:26:57,200 --> 00:26:57,519
Yeah.

501
00:26:57,519 --> 00:26:58,799
Weeks is better.

502
00:26:58,799 --> 00:27:00,639
We looked for you everywhere.

503
00:27:00,639 --> 00:27:04,000
Like we couldn't, we couldn't find you or where you went.

504
00:27:04,559 --> 00:27:04,799
Yeah.

505
00:27:04,799 --> 00:27:07,119
It turns out a lot of things in this world

506
00:27:07,119 --> 00:27:09,359
are not at all how I thought they were.

507
00:27:10,319 --> 00:27:12,160
I was stuck with a fake family.

508
00:27:12,160 --> 00:27:14,240
There was this whole other world and we were on.

509
00:27:14,880 --> 00:27:16,319
It's a lot Thane.

510
00:27:17,119 --> 00:27:18,240
It's a lot to explain.

511
00:27:19,119 --> 00:27:20,799
Things aren't what they seem though.

512
00:27:22,640 --> 00:27:25,920
He begins to help you like move these children down.

513
00:27:25,920 --> 00:27:29,440
He's like, we're going to get you something to.

514
00:27:29,440 --> 00:27:30,000
Okay.

515
00:27:30,000 --> 00:27:30,799
Moving you to school.

516
00:27:30,799 --> 00:27:33,599
The guard has come and one of them looks to you

517
00:27:33,600 --> 00:27:37,680
and says, where's, where's, where's Dase?

518
00:27:37,680 --> 00:27:39,200
Where's, where's, where's the captain?

519
00:27:41,920 --> 00:27:42,720
Where is Dase?

520
00:27:45,040 --> 00:27:50,640
And I guess I look at Cav and I was,

521
00:27:50,640 --> 00:27:52,160
because it was the four of us, right?

522
00:27:52,720 --> 00:27:52,960
Yeah.

523
00:27:52,960 --> 00:27:57,120
Like me and Cav and Bazaar and Dase.

524
00:27:57,120 --> 00:28:01,760
Well, you, you and Dase and Thane went out.

525
00:28:01,760 --> 00:28:03,040
Thane had to go back,

526
00:28:03,039 --> 00:28:06,240
but you and Dase went forward,

527
00:28:06,240 --> 00:28:07,599
but then didn't save.

528
00:28:07,599 --> 00:28:10,399
And then Bazaar and Cav came after.

529
00:28:10,399 --> 00:28:11,599
Oh God, it's all on me.

530
00:28:11,599 --> 00:28:12,639
It was just me and Dase.

531
00:28:12,639 --> 00:28:13,519
It's just you and Dase.

532
00:28:13,519 --> 00:28:14,399
Shit.

533
00:28:14,399 --> 00:28:15,440
And you're like, fuck that guy.

534
00:28:15,440 --> 00:28:16,960
And then when I met up with them,

535
00:28:16,960 --> 00:28:17,920
it was just me.

536
00:28:17,920 --> 00:28:18,420
Fuck.

537
00:28:21,920 --> 00:28:22,799
You know what though?

538
00:28:22,799 --> 00:28:24,480
You can't be held responsible for that.

539
00:28:25,119 --> 00:28:26,879
This is crazy magic stuff.

540
00:28:26,879 --> 00:28:27,680
Definitely.

541
00:28:27,680 --> 00:28:29,680
I definitely feel responsible in the moment.

542
00:28:30,640 --> 00:28:34,880
Um, I'm not, I'm not sure what happened to him.

543
00:28:35,600 --> 00:28:38,080
He was with me and then he wasn't.

544
00:28:38,080 --> 00:28:41,279
And so he's, he's still back there?

545
00:28:45,360 --> 00:28:45,920
I don't know.

546
00:28:49,360 --> 00:28:50,960
He wasn't in the space we were.

547
00:28:52,000 --> 00:28:55,279
So it's likely, yes, still there.

548
00:28:56,160 --> 00:28:57,600
Getting back there though,

549
00:28:57,600 --> 00:28:59,039
seeing that tree in the state it was,

550
00:28:59,599 --> 00:29:01,440
I doubt that is a route for us.

551
00:29:02,399 --> 00:29:02,899
Yeah.

552
00:29:03,839 --> 00:29:05,519
Because when we saw those memories,

553
00:29:05,519 --> 00:29:08,159
there was no, no Dase memories there, right?

554
00:29:08,159 --> 00:29:09,519
So he was somewhere else.

555
00:29:10,319 --> 00:29:11,200
Correct.

556
00:29:11,200 --> 00:29:14,159
But what we do know is that the kids

557
00:29:14,159 --> 00:29:15,519
weren't just coming from here.

558
00:29:16,079 --> 00:29:18,240
So if we do need to go find Dase,

559
00:29:18,240 --> 00:29:20,480
there has to be a portal near Kingstown.

560
00:29:21,119 --> 00:29:22,879
Because kids from Kingstown were taken.

561
00:29:22,879 --> 00:29:26,399
So we want to follow this through.

562
00:29:26,399 --> 00:29:27,519
We can't leave him there.

563
00:29:29,839 --> 00:29:31,519
Yeah, there's another way in.

564
00:29:31,519 --> 00:29:33,680
We're going to have to take these kids home anyway.

565
00:29:33,680 --> 00:29:34,879
And if we're going to go back in,

566
00:29:34,879 --> 00:29:37,759
we need to be better fucking prepared than we were.

567
00:29:37,759 --> 00:29:38,559
Yeah, we do.

568
00:29:39,359 --> 00:29:41,839
Cav, I think you need to get to a doctor.

569
00:29:42,879 --> 00:29:44,159
As I'm like bleeding out.

570
00:29:44,159 --> 00:29:47,039
Yeah, like you're just looking a little rough.

571
00:29:47,039 --> 00:29:48,559
Cav's being so quiet.

572
00:29:48,559 --> 00:29:50,240
Guards have come and are like propping you up.

573
00:29:50,240 --> 00:29:52,559
I'm actually leaning on the 15-year-olds

574
00:29:52,559 --> 00:29:54,000
to like prop myself up.

575
00:29:54,639 --> 00:29:56,960
Guards come and like shimmy themselves out from,

576
00:29:57,600 --> 00:30:00,160
you know, away from the 15-year-olds

577
00:30:00,160 --> 00:30:02,160
and are moving you towards the hospital.

578
00:30:03,519 --> 00:30:05,519
That's a really awkward sentence.

579
00:30:05,519 --> 00:30:08,079
The guards are moving you away from the 15-year-olds.

580
00:30:08,079 --> 00:30:10,079
They're taking you away from the children?

581
00:30:10,079 --> 00:30:10,579
Yeah.

582
00:30:11,600 --> 00:30:13,680
Let's move this bloody beaten man

583
00:30:13,680 --> 00:30:14,640
away from these kids.

584
00:30:14,640 --> 00:30:15,600
You are violating your parole right now, sir.

585
00:30:16,880 --> 00:30:20,640
In a way to make sure that he is taken care of.

586
00:30:21,600 --> 00:30:23,600
You get these children to the school.

587
00:30:24,320 --> 00:30:26,640
They're under watchful eye.

588
00:30:26,640 --> 00:30:28,880
All of you are getting tended to,

589
00:30:29,600 --> 00:30:31,040
patching any wounds you have.

590
00:30:31,680 --> 00:30:33,440
I think Bizard would take a moment

591
00:30:33,440 --> 00:30:35,040
to talk to the group and be like,

592
00:30:35,040 --> 00:30:39,040
I wouldn't openly talk about what happened to anybody.

593
00:30:39,680 --> 00:30:41,200
I don't think they would believe you.

594
00:30:42,080 --> 00:30:44,320
And I don't need people worrying about you.

595
00:30:45,200 --> 00:30:47,040
We don't need people worrying about us.

596
00:30:47,040 --> 00:30:48,240
So I don't know.

597
00:30:49,200 --> 00:30:50,400
Tell who you trust, but.

598
00:30:52,080 --> 00:30:52,720
Right.

599
00:30:52,720 --> 00:30:55,279
We were just lost in the woods.

600
00:30:55,279 --> 00:30:59,200
And then we found all the kids from years ago.

601
00:31:01,200 --> 00:31:03,920
Think about how it sounds as an outsider.

602
00:31:03,920 --> 00:31:05,360
Floating memories.

603
00:31:05,360 --> 00:31:06,400
The whole experience.

604
00:31:07,039 --> 00:31:08,160
It doesn't make sense.

605
00:31:08,880 --> 00:31:11,600
A house filled with musical instruments attacking us.

606
00:31:12,400 --> 00:31:13,200
It sounds crazy.

607
00:31:14,079 --> 00:31:14,640
It's absurd.

608
00:31:15,440 --> 00:31:16,079
It's absurd.

609
00:31:17,120 --> 00:31:19,279
But this is the world we've learned that we exist in.

610
00:31:20,160 --> 00:31:21,360
Don't people need to know?

611
00:31:23,360 --> 00:31:24,640
If they can't understand

612
00:31:24,640 --> 00:31:26,960
because they weren't there to experience though,

613
00:31:26,960 --> 00:31:29,759
it's just going to be like

614
00:31:29,759 --> 00:31:31,200
falling on deaf ears, won't it?

615
00:31:32,640 --> 00:31:34,400
I think it would cause more chaos

616
00:31:35,039 --> 00:31:39,759
knowing about something so hard to understand

617
00:31:40,559 --> 00:31:43,920
than it would bring about curiosity.

618
00:31:44,640 --> 00:31:45,839
I'm curious.

619
00:31:45,839 --> 00:31:48,160
Like I kind of want to go back

620
00:31:48,160 --> 00:31:50,079
and figure out why the hell

621
00:31:50,079 --> 00:31:52,480
I can't cast a spell without it backfiring on me.

622
00:31:53,360 --> 00:31:57,519
Then it's our job to make sure that they stay safe.

623
00:31:59,200 --> 00:31:59,759
Exactly.

624
00:32:00,559 --> 00:32:02,160
We took care of one portal.

625
00:32:03,680 --> 00:32:05,120
Maybe we can take care of the others.

626
00:32:06,640 --> 00:32:07,279
I don't know.

627
00:32:07,279 --> 00:32:08,240
Take care of yourselves.

628
00:32:09,360 --> 00:32:09,839
Rest up.

629
00:32:10,799 --> 00:32:12,000
We can catch up on this later.

630
00:32:12,720 --> 00:32:15,279
You're going to have to teach me a whole lot more magic.

631
00:32:16,240 --> 00:32:18,640
You're going to have to learn a whole lot more magic.

632
00:32:18,640 --> 00:32:20,000
Way to put that back on me.

633
00:32:20,000 --> 00:32:21,120
Well, we're going to get there together

634
00:32:21,120 --> 00:32:24,240
because I have to learn a whole lot more magic too.

635
00:32:24,240 --> 00:32:25,520
That shit was ridiculous.

636
00:32:26,480 --> 00:32:27,200
It is funny.

637
00:32:27,200 --> 00:32:28,240
I'm excited by it.

638
00:32:28,240 --> 00:32:31,680
It's, you know, using my spells

639
00:32:31,680 --> 00:32:33,760
and having them completely explode in my face,

640
00:32:33,760 --> 00:32:35,120
you know, metaphorically speaking.

641
00:32:36,240 --> 00:32:37,520
Was I speaking in rhymes?

642
00:32:38,480 --> 00:32:38,980
Yeah.

643
00:32:39,520 --> 00:32:40,020
Yeah.

644
00:32:41,040 --> 00:32:41,540
Okay.

645
00:32:42,640 --> 00:32:43,840
That wasn't on purpose?

646
00:32:44,960 --> 00:32:45,440
No.

647
00:32:45,440 --> 00:32:47,920
I thought it was a weird time to start some poetry.

648
00:32:49,600 --> 00:32:50,560
Yeah, it felt odd.

649
00:32:51,600 --> 00:32:54,880
And I, you know, it's not one of the best things that I do.

650
00:32:55,680 --> 00:32:58,000
But, yeah, okay.

651
00:33:00,640 --> 00:33:02,720
I'm done thinking about that place for now.

652
00:33:04,720 --> 00:33:05,220
Yeah.

653
00:33:06,800 --> 00:33:08,880
But I feel great now that I ate.

654
00:33:12,880 --> 00:33:13,840
Food is good.

655
00:33:13,840 --> 00:33:16,640
You all split up and return home

656
00:33:16,640 --> 00:33:19,280
and we'll end on Bonwyn who has used...

657
00:33:20,240 --> 00:33:23,519
How are you feeling walking back to Everbane's?

658
00:33:24,559 --> 00:33:26,559
Oh, terrible.

659
00:33:26,559 --> 00:33:30,799
I like basically just forgot about days.

660
00:33:30,799 --> 00:33:34,480
And I mean, you know, in further reflection and therapy,

661
00:33:34,480 --> 00:33:37,119
I'm sure I'll come to realize there was a lot going on.

662
00:33:37,119 --> 00:33:40,319
And I was not the one that created the situation

663
00:33:40,319 --> 00:33:41,920
that put us there.

664
00:33:41,920 --> 00:33:44,319
But, you know, he was my friend.

665
00:33:44,319 --> 00:33:50,639
And I just like lost him in this scary, un-understandable place.

666
00:33:50,639 --> 00:33:53,679
So, yeah, feeling pretty bad.

667
00:33:54,559 --> 00:33:56,720
Feeling happy that we got the kids back.

668
00:33:58,559 --> 00:34:03,200
But, yeah, just feeling very guilty, I think.

669
00:34:05,839 --> 00:34:08,159
As you open the door to Everbane's,

670
00:34:08,159 --> 00:34:13,519
the familiar warmth from the forge isn't there.

671
00:34:15,039 --> 00:34:19,760
You step in, you see Thane, who's returned.

672
00:34:19,760 --> 00:34:24,320
He's trying to stoke the fire of the forge.

673
00:34:25,120 --> 00:34:29,280
Hears you come in, so I went out,

674
00:34:30,320 --> 00:34:32,960
I don't know how long ago, a couple days ago.

675
00:34:32,960 --> 00:34:34,559
I haven't been able to get it back going.

676
00:34:38,000 --> 00:34:39,600
Has anything else been weird here?

677
00:34:40,480 --> 00:34:42,000
I mean, other than us missing?

678
00:34:42,559 --> 00:34:45,760
But here, here at Everbane, has anything been weird?

679
00:34:47,119 --> 00:34:49,679
I mean, no, weird.

680
00:34:52,000 --> 00:34:52,800
I don't think so.

681
00:34:53,360 --> 00:34:55,920
He looks around, I don't know what you mean.

682
00:34:55,920 --> 00:34:57,599
But no, like, I mean,

683
00:34:58,239 --> 00:35:00,320
aside from not being able to get the forge going.

684
00:35:01,679 --> 00:35:02,880
Okay, well, let me try.

685
00:35:05,119 --> 00:35:08,559
You go over to it and inspect it.

686
00:35:09,440 --> 00:35:13,039
There's no, you know this, like, the back of your hand.

687
00:35:13,039 --> 00:35:16,799
There's no physical damage to it or anything around it.

688
00:35:20,079 --> 00:35:21,279
And you go to light it.

689
00:35:23,199 --> 00:35:26,719
Any flame that enters it immediately gets snuffed out.

690
00:35:28,239 --> 00:35:29,279
Flint won't spark.

691
00:35:29,920 --> 00:35:31,039
Bellows won't stoke.

692
00:35:32,559 --> 00:35:34,480
The forge refuses to burn.

693
00:35:39,119 --> 00:35:44,079
Dumbgeons and Dragons, Season 4, Episode 26,

694
00:35:44,079 --> 00:35:49,039
starring Amy More as Alydin, Carla Maxted as Bonwyn Everbane,

695
00:35:49,039 --> 00:35:51,360
Tom Laird as Kavlaran Goldweave,

696
00:35:51,360 --> 00:35:53,679
Kyle Claset as Bizard the Wizard,

697
00:35:53,679 --> 00:35:56,079
and Russ More as your dungeon master.

698
00:35:56,079 --> 00:35:59,840
Dialogue editing and sound design of today's episode is by Russ More.

699
00:35:59,840 --> 00:36:02,320
Our community manager is Jessica Fabiuk.

700
00:36:02,320 --> 00:36:04,159
Music is from Epidemic Sound,

701
00:36:04,159 --> 00:36:07,519
and sound effects are from Epidemic Sound and Boom Library.

702
00:36:07,519 --> 00:36:10,159
Our amazing cover art is by Matt Garbutt.

703
00:36:10,159 --> 00:36:13,759
And we'd like to say a huge thank you to our supporting producers,

704
00:36:13,759 --> 00:36:16,400
including Gabriel Lynch, Jessica Fabiuk,

705
00:36:16,400 --> 00:36:18,480
Cat Waterflame, Jacob Madden,

706
00:36:18,480 --> 00:36:20,559
Angaron Kiersen, Perry Matey,

707
00:36:20,559 --> 00:36:23,039
Old School Gamer D, Craig Zeiss,

708
00:36:23,039 --> 00:36:24,159
and L.A. Branton.

709
00:36:24,159 --> 00:36:26,639
Have you been enjoying your time with Dumbgeons and Dragons?

710
00:36:26,639 --> 00:36:29,039
Well, thank you so much for being here.

711
00:36:29,039 --> 00:36:30,960
If you're looking for more of what you love,

712
00:36:30,960 --> 00:36:34,000
come over to Patreon.com slash Dumb Dragon Cast,

713
00:36:34,000 --> 00:36:36,239
where you're going to get a seven-day free trial,

714
00:36:36,240 --> 00:36:38,400
and when you're a patron for at least three months,

715
00:36:38,400 --> 00:36:41,280
we're going to send you some merch based on the tier you're at.

716
00:36:41,280 --> 00:36:42,080
Come on over.

717
00:36:42,080 --> 00:36:43,440
We hope to see you over there.

718
00:36:43,440 --> 00:36:45,760
Patreon.com slash Dumb Dragon Cast.

719
00:36:45,760 --> 00:36:46,720
Have a great week.

720
00:36:46,720 --> 00:36:47,840
We'll talk to you soon.

721
00:36:49,840 --> 00:36:50,640
All right, Dase.

722
00:36:50,640 --> 00:36:51,680
I forgot about Dase.

723
00:36:51,680 --> 00:36:51,920
Shit.

724
00:36:51,920 --> 00:36:52,880
Where the fuck is Dase?

725
00:36:53,440 --> 00:36:54,320
Oh, my God.

726
00:36:54,320 --> 00:36:56,080
Did we leave Dase in the fae?

727
00:36:56,880 --> 00:36:57,600
Absolutely.

728
00:36:57,600 --> 00:36:59,360
What shit happened to Dase?

729
00:36:59,360 --> 00:37:00,400
Did he come with us?

730
00:37:00,400 --> 00:37:02,880
Yes, he had a childhood moment or something,

731
00:37:02,880 --> 00:37:04,160
and then we didn't hear from him.

732
00:37:04,160 --> 00:37:04,800
He disappeared.

733
00:37:06,560 --> 00:37:07,920
God, we're going to have to go back for Dase.

734
00:37:07,920 --> 00:37:08,000
Never mind.

735
00:37:08,000 --> 00:37:09,200
I won't say that anymore.

736
00:37:09,200 --> 00:37:14,320
Dumbgeons and Dragons is a Dumb Dragons production.
