1 00:00:00,000 --> 00:00:03,680 Dumbgeons and Dragons, that's this show. We'll start in a moment. 2 00:00:05,679 --> 00:00:20,160 It's getting towards the end of the day, and back at the Magic Closet, the final few customers pay their bill or pay for their goods, pay their respects, and head back out into the street. 3 00:00:20,160 --> 00:00:23,920 There was another flash memorial. 4 00:00:24,080 --> 00:00:39,120 Rin Kip just exits out. Or no, it was Ignatius who did the flash memorial. They head back out to the street, and the bell on the door stops jingling, and Alydin and Bizard, you're alone in the shop one more time. 5 00:00:39,120 --> 00:00:41,120 Good day of business. 6 00:00:41,120 --> 00:00:45,120 There was a lot of people in here. 7 00:00:45,119 --> 00:00:56,320 Surprisingly so, surprisingly so, but you know what, nothing like good job security there. I'm not going to complain, even though sometimes it's hard to keep things stocked on these shelves. 8 00:00:56,320 --> 00:01:00,320 Is everything in here magic? 9 00:01:00,320 --> 00:01:07,280 I mean, no, not really, but it has the illusion of being magic. 10 00:01:07,439 --> 00:01:15,439 Again, some of the things that we have, it's a matter of giving something that people are not familiar with. 11 00:01:15,439 --> 00:01:19,439 Everything is magic if you can't explain it. 12 00:01:19,439 --> 00:01:25,439 And that's kind of at the heart of what I sell here. 13 00:01:25,439 --> 00:01:35,439 If I don't explain what exactly it is, then they don't understand what's going on, and that's magic enough in and of itself. 14 00:01:35,599 --> 00:01:39,599 That might be a good way to wrap up our daily lessons of magic. 15 00:01:39,599 --> 00:01:41,599 Okay. 16 00:01:41,599 --> 00:01:43,599 At least the first one. 17 00:01:43,599 --> 00:01:45,599 So, I'll see you tomorrow? 18 00:01:45,599 --> 00:01:49,599 Yeah, if you'll get here, we'll see you tomorrow. 19 00:01:49,599 --> 00:01:55,599 We'll have to restock some shelves, so bright and early. 20 00:01:55,760 --> 00:02:01,760 You know what, here, and I rustle in my pocket, and I pull out a few silver. 21 00:02:01,760 --> 00:02:07,760 I'm like, on your way, stop by How About Dem Buns and pick up some pastries and coffee. 22 00:02:07,760 --> 00:02:09,760 Do you drink coffee? You probably shouldn't. You're a little young. 23 00:02:09,760 --> 00:02:11,760 Oh, no, I can drink. 24 00:02:11,760 --> 00:02:13,760 I drink coffee. 25 00:02:13,760 --> 00:02:15,760 Yeah, then get yourself coffee as well. 26 00:02:15,760 --> 00:02:17,760 Okay. 27 00:02:17,760 --> 00:02:21,760 Just looking at the money in your hand like, oh my god. 28 00:02:21,919 --> 00:02:25,919 Thanks. 29 00:02:25,919 --> 00:02:29,919 Alright, cool. 30 00:02:29,919 --> 00:02:33,919 Hey, tomorrow maybe you can tell me more about the weave? 31 00:02:33,919 --> 00:02:37,919 Oh, yes, that's right. We got to interrupt it on that. 32 00:02:37,919 --> 00:02:41,919 Yes, I'll mark that down. Remind me if I don't bring it up. 33 00:02:41,919 --> 00:02:50,919 I'll be happy to go over and explain it as best I can in the simplest terms that I can find. 34 00:02:51,080 --> 00:02:53,080 I'll have to think on it tonight. 35 00:02:53,080 --> 00:02:57,080 As of now though, I might need to... 36 00:02:57,080 --> 00:03:03,080 I have to go meet somebody, so I've got to lock up the shop. 37 00:03:03,080 --> 00:03:07,080 So I'll have to catch you in the morning. 38 00:03:07,080 --> 00:03:09,080 Okay. 39 00:03:09,080 --> 00:03:11,080 Thanks. 40 00:03:11,080 --> 00:03:15,080 It's a rush of emotion and excitement through you, Alydin. 41 00:03:15,080 --> 00:03:17,080 Oh, yeah. 42 00:03:17,080 --> 00:03:19,080 Bizarre, what's your passive perception? 43 00:03:19,240 --> 00:03:21,240 Eleven. 44 00:03:21,240 --> 00:03:23,240 You're watching, and Alydin's very excited. 45 00:03:23,240 --> 00:03:27,240 You're just vibrating with the day and having spent time with you. 46 00:03:27,240 --> 00:03:31,240 You hand the coins, and as they move towards the door, 47 00:03:31,240 --> 00:03:35,240 their hand closed tight around these coins. 48 00:03:35,240 --> 00:03:41,240 They open the door, and as you look at their hand once more, 49 00:03:41,240 --> 00:03:47,240 there's this soft glow coming from their hand as they move to duck out into the street. 50 00:03:47,400 --> 00:03:49,400 I'm going to go drink coffee. 51 00:03:51,400 --> 00:03:57,400 I turn around and I open up a book, and I make a quick note of that. 52 00:03:57,400 --> 00:03:59,400 I go, by accident. 53 00:03:59,400 --> 00:04:01,400 Okay. 54 00:04:01,400 --> 00:04:03,400 With an item. 55 00:04:03,400 --> 00:04:05,400 Okay. 56 00:04:05,400 --> 00:04:07,400 I have books to read. 57 00:04:07,400 --> 00:04:11,400 I have more books to read, and better reasons to read them. 58 00:04:11,400 --> 00:04:13,400 That kid needs to come around more often. 59 00:04:13,400 --> 00:04:15,400 Okay. 60 00:04:15,560 --> 00:04:21,560 And close my book, and make my way out of the front of the shop. 61 00:04:21,560 --> 00:04:23,560 Lock things up. 62 00:04:23,560 --> 00:04:27,560 Dumbgeons and Dragons is a D&D 5th edition actual play podcast, 63 00:04:27,560 --> 00:04:30,560 and I'm your dungeon master, Russ More, he, him. 64 00:04:30,560 --> 00:04:34,560 Also with me today is Amy More as Alydin, she, her. 65 00:04:34,560 --> 00:04:37,560 All she knows is that she is, like, super excited. 66 00:04:37,560 --> 00:04:40,560 Carla Maxted as Bonwyn Everbane, she, her. 67 00:04:40,560 --> 00:04:42,560 You should invite me to all these things. 68 00:04:42,560 --> 00:04:43,560 This is great. 69 00:04:43,560 --> 00:04:44,560 I think we're really blending. 70 00:04:44,720 --> 00:04:47,720 And Kyle Claset as Bizard the Wizard, he, him. 71 00:04:47,720 --> 00:04:50,720 I give it a very arithmatic kind of knock. 72 00:04:50,720 --> 00:04:53,720 Dumbgeons and Dragons is a Patreon-supported podcast 73 00:04:53,720 --> 00:04:55,720 where you can get a 7-day free trial 74 00:04:55,720 --> 00:04:59,720 if you sign up today at patreon.com slash dumb dragoncast. 75 00:04:59,720 --> 00:05:01,720 Now, fuck it, let's play. 76 00:05:07,720 --> 00:05:09,720 Alydin, you, her. 77 00:05:09,720 --> 00:05:11,720 You, her. 78 00:05:11,720 --> 00:05:13,720 You, her. 79 00:05:13,880 --> 00:05:16,880 Alydin, you're heading back out and down the street. 80 00:05:16,880 --> 00:05:19,880 It's getting towards dusk. 81 00:05:19,880 --> 00:05:21,880 You've had just the... 82 00:05:21,880 --> 00:05:22,880 Best day. 83 00:05:22,880 --> 00:05:25,880 The best day, I think. 84 00:05:25,880 --> 00:05:28,880 And you look back at your hand 85 00:05:28,880 --> 00:05:30,880 because you've got money in your hand. 86 00:05:30,880 --> 00:05:33,880 And as you pull it out and look at it, 87 00:05:33,880 --> 00:05:34,880 what does it look like? 88 00:05:34,880 --> 00:05:40,880 There's a soft, white-ish glow 89 00:05:40,880 --> 00:05:42,880 around the coins. 90 00:05:43,040 --> 00:05:47,040 And Alydin isn't surprised by this 91 00:05:47,040 --> 00:05:50,040 because it's happened before. 92 00:05:50,040 --> 00:05:53,040 She doesn't do it on purpose. 93 00:05:53,040 --> 00:05:54,040 Frankly, she probably thinks 94 00:05:54,040 --> 00:05:56,040 it has a little bit to do with money. 95 00:05:58,040 --> 00:05:59,040 And having money, 96 00:05:59,040 --> 00:06:01,040 and this is why people want money, 97 00:06:01,040 --> 00:06:03,040 like, I don't know, is money magic? 98 00:06:03,040 --> 00:06:04,040 She's not sure. 99 00:06:04,040 --> 00:06:08,040 But all she knows is that she is, like, super excited 100 00:06:08,040 --> 00:06:10,040 and she clenches her fist, 101 00:06:10,040 --> 00:06:12,040 the coins in her fist again, 102 00:06:12,200 --> 00:06:14,200 and she hops, 103 00:06:14,200 --> 00:06:16,200 like, she's got a skip in her step down the road, 104 00:06:16,200 --> 00:06:21,200 but she doesn't stop in at those buns, though. 105 00:06:21,200 --> 00:06:25,200 She skips over to the copper kettle 106 00:06:25,200 --> 00:06:30,200 where she knows that these two silver pieces 107 00:06:30,200 --> 00:06:32,200 are going to stretch a lot further 108 00:06:32,200 --> 00:06:35,200 than if she were to have spent them 109 00:06:35,200 --> 00:06:39,200 on a fancy pastry at those buns, though. 110 00:06:39,200 --> 00:06:41,200 So she goes in there 111 00:06:41,360 --> 00:06:44,360 and she knows she'll get help. 112 00:06:44,360 --> 00:06:49,360 See you, you know, kind of look at those buns, though, 113 00:06:49,360 --> 00:06:51,360 and then make your way into the copper kettle 114 00:06:51,360 --> 00:06:53,360 and see the door close behind. 115 00:06:53,360 --> 00:06:56,360 There's a very warm greeting 116 00:06:56,360 --> 00:06:59,360 that we kind of fade out on in that scene. 117 00:07:04,360 --> 00:07:09,360 We cut to the sound of a... 118 00:07:10,360 --> 00:07:12,360 Idiot. 119 00:07:12,360 --> 00:07:15,360 ...of heavy bass and a very sultry party. 120 00:07:17,360 --> 00:07:20,360 And there's a heavy stream of people 121 00:07:20,360 --> 00:07:23,360 coming in and out of the quivering hills 122 00:07:23,360 --> 00:07:28,360 and standing out among all the different foxes 123 00:07:28,360 --> 00:07:31,360 and wolves and rabbits and cats and dogs 124 00:07:31,360 --> 00:07:33,360 and all that sort of thing. 125 00:07:33,360 --> 00:07:37,360 We see the head of a giraffe 126 00:07:37,360 --> 00:07:42,360 well molded and sculpted to Bonwyn's head 127 00:07:42,360 --> 00:07:47,360 with a flowing satin train behind her. 128 00:07:49,360 --> 00:07:54,360 And instead of a real formal caboose, 129 00:07:56,360 --> 00:07:58,360 Neven has created an effect 130 00:07:58,360 --> 00:08:01,360 that looks like two giraffes mating. 131 00:08:01,360 --> 00:08:04,360 And you put that on. 132 00:08:04,360 --> 00:08:08,360 Yeah, we see the one head predominantly 133 00:08:08,360 --> 00:08:11,360 and then as Neven was tying her shoe, 134 00:08:11,360 --> 00:08:14,360 the second head comes back on 135 00:08:14,360 --> 00:08:17,360 as you enter the quivering hills. 136 00:08:17,360 --> 00:08:19,360 The bouncers let you in. 137 00:08:19,360 --> 00:08:21,360 Of course they do. 138 00:08:21,360 --> 00:08:24,360 Says, this was such a great idea. 139 00:08:24,360 --> 00:08:26,360 I would not have... 140 00:08:26,360 --> 00:08:28,360 I would have kind of thought 141 00:08:29,360 --> 00:08:32,360 I would have come in something like that 142 00:08:32,360 --> 00:08:34,360 and she points across to a woman 143 00:08:34,360 --> 00:08:37,360 in a very small bikini in the corner 144 00:08:37,360 --> 00:08:39,360 who was talking to some people. 145 00:08:39,360 --> 00:08:41,360 I would have come in something like that. 146 00:08:41,360 --> 00:08:44,360 This is much better, isn't it? 147 00:08:44,360 --> 00:08:47,360 I mean, isn't this more fun? 148 00:08:47,360 --> 00:08:48,360 Absolutely. 149 00:08:48,360 --> 00:08:50,360 You should invite me to all these things. 150 00:08:50,360 --> 00:08:51,360 This is great. 151 00:08:51,360 --> 00:08:53,360 I think we're really blending. 152 00:08:53,360 --> 00:08:55,360 I think you look around 153 00:08:55,360 --> 00:08:58,360 and everybody is kind of side eyeing your costume. 154 00:08:58,360 --> 00:09:00,360 I think they're just jealous. 155 00:09:00,360 --> 00:09:02,360 I think they're just jealous of us. 156 00:09:02,360 --> 00:09:04,360 I can't believe we put this together in one day. 157 00:09:04,360 --> 00:09:06,360 This costume is amazing. 158 00:09:06,360 --> 00:09:08,360 We should sell these for the next one. 159 00:09:08,360 --> 00:09:11,360 Hey, maybe we leave some business cards around here. 160 00:09:11,360 --> 00:09:12,360 You want one of these? 161 00:09:12,360 --> 00:09:15,360 And she hands some out to the people walking by 162 00:09:15,360 --> 00:09:18,360 and they say, thank you. Yeah, yeah, yeah. 163 00:09:18,360 --> 00:09:20,360 So, I mean, I've got to make some rounds, 164 00:09:20,360 --> 00:09:26,360 but like, you know, you stick close and like... 165 00:09:26,360 --> 00:09:28,360 You're going to detach from me? 166 00:09:28,360 --> 00:09:30,360 Well, it'll be really romantic for everyone else 167 00:09:30,360 --> 00:09:32,360 when they see us come together again 168 00:09:32,360 --> 00:09:34,360 at the end of the night and you mount me. 169 00:09:34,360 --> 00:09:35,360 Yep. 170 00:09:35,360 --> 00:09:37,360 Well, I mean, it's a good thing 171 00:09:37,360 --> 00:09:40,360 we made it anatomically correct, so... 172 00:09:43,360 --> 00:09:46,360 Tom, don't just sit there and shake your head. 173 00:09:47,360 --> 00:09:49,360 What else can I do about it, Russ? 174 00:09:49,360 --> 00:09:51,360 If I have this right, 175 00:09:51,360 --> 00:09:55,360 Niven has made this two-person costume detachable. 176 00:09:55,360 --> 00:09:56,360 Yep. 177 00:09:56,360 --> 00:10:00,360 And she's walking around just with a big giraffe heart on? 178 00:10:00,360 --> 00:10:01,360 Yep. 179 00:10:01,360 --> 00:10:02,360 Nice. 180 00:10:02,360 --> 00:10:03,360 All right, continue. 181 00:10:03,360 --> 00:10:05,360 I just want to make sure I have the visual right. 182 00:10:05,360 --> 00:10:07,360 Niven's a good sport. 183 00:10:07,360 --> 00:10:08,360 Yeah. 184 00:10:08,360 --> 00:10:12,360 Making dreams come true is what Niven's doing. 185 00:10:12,360 --> 00:10:14,360 I think we just have that friendship 186 00:10:14,360 --> 00:10:16,360 where we're like... 187 00:10:16,360 --> 00:10:19,360 She's like, okay, you want to try and embarrass me 188 00:10:19,360 --> 00:10:21,360 with your embarrassing giraffe costume? 189 00:10:21,360 --> 00:10:23,360 We'll buckle up. 190 00:10:23,360 --> 00:10:25,360 Let's do this. 191 00:10:25,360 --> 00:10:27,360 I'm the coolest person. 192 00:10:27,360 --> 00:10:29,360 She detaches from you, 193 00:10:29,360 --> 00:10:31,360 and it's like, I just have to go say hi 194 00:10:31,360 --> 00:10:32,360 to these people over here. 195 00:10:32,360 --> 00:10:33,360 Of course. 196 00:10:33,360 --> 00:10:34,360 And then we can... 197 00:10:34,360 --> 00:10:36,360 We'll make rounds and then we can... 198 00:10:36,360 --> 00:10:37,360 Reattach and then we can bounce. 199 00:10:37,360 --> 00:10:38,360 Absolutely. 200 00:10:38,360 --> 00:10:39,360 Great, great, great. 201 00:10:39,360 --> 00:10:40,360 And she ducks off, 202 00:10:40,360 --> 00:10:43,360 and you find yourself at a snack table 203 00:10:43,360 --> 00:10:46,360 or just a punch and all that sort of thing. 204 00:10:46,360 --> 00:10:49,360 And Ignatius comes up beside you 205 00:10:49,360 --> 00:10:53,360 and looks down at you and gives a double take. 206 00:10:53,360 --> 00:10:56,360 He says, Bonwyn, is that you in there? 207 00:10:56,360 --> 00:10:57,360 It is. 208 00:10:57,360 --> 00:10:58,360 How are you? 209 00:10:58,360 --> 00:11:00,360 Wonderful party. 210 00:11:00,360 --> 00:11:01,360 Thank you. 211 00:11:01,360 --> 00:11:04,360 What's Ignatius dressed up as? 212 00:11:04,360 --> 00:11:05,360 Oh, my God. 213 00:11:05,360 --> 00:11:07,360 He's wearing all the leopard print. 214 00:11:07,360 --> 00:11:10,360 But not all the leopard print. 215 00:11:10,360 --> 00:11:11,360 He's got like... 216 00:11:11,360 --> 00:11:13,360 It's a banana hammock situation. 217 00:11:15,360 --> 00:11:17,360 There's a lot of tassels happening 218 00:11:17,360 --> 00:11:18,360 for some reason. 219 00:11:18,360 --> 00:11:20,360 Definitely it's a tail. 220 00:11:20,360 --> 00:11:25,360 It's got the leopard cat ears, 221 00:11:25,360 --> 00:11:27,360 some drawn on whiskers, 222 00:11:27,360 --> 00:11:30,360 and shirtless because I feel like 223 00:11:30,360 --> 00:11:32,360 that's how Ignatius rolls. 224 00:11:32,360 --> 00:11:33,360 Yes, absolutely. 225 00:11:33,360 --> 00:11:34,360 He runs a brothel. 226 00:11:34,360 --> 00:11:36,360 He's very comfortable with nudity. 227 00:11:36,360 --> 00:11:38,360 Lots of chest hair. 228 00:11:38,360 --> 00:11:39,360 Very abundant. 229 00:11:39,360 --> 00:11:40,360 Oily. 230 00:11:40,360 --> 00:11:43,360 We just put this together today too. 231 00:11:43,360 --> 00:11:45,360 It's very exciting. 232 00:11:45,360 --> 00:11:46,360 Not all mine, 233 00:11:46,360 --> 00:11:48,360 and he's running his fingers through his chest hair. 234 00:11:48,360 --> 00:11:50,360 I wouldn't have guessed. 235 00:11:50,360 --> 00:11:51,360 That's very good. 236 00:11:51,360 --> 00:11:53,360 It's very real, isn't it? 237 00:11:53,360 --> 00:11:54,360 Yes, yes. 238 00:11:54,360 --> 00:11:57,360 Thinking about starting a new business. 239 00:11:57,360 --> 00:12:00,360 We'll call it someone else's hair. 240 00:12:00,360 --> 00:12:02,360 Okay, we should workshop that maybe. 241 00:12:02,360 --> 00:12:04,360 I bet you can come up with something better. 242 00:12:04,360 --> 00:12:06,360 Something catchier, a little snappier. 243 00:12:06,360 --> 00:12:08,360 So who are you here with? 244 00:12:08,360 --> 00:12:12,360 Oh, well, Neven, the other giraffe. 245 00:12:12,360 --> 00:12:14,360 Oh, there's two of you, 246 00:12:14,360 --> 00:12:15,360 and he looks... 247 00:12:15,360 --> 00:12:17,360 Ah, I see them over there. 248 00:12:17,360 --> 00:12:19,360 Yes, that is so exciting. 249 00:12:19,360 --> 00:12:21,360 The costumes actually combine, 250 00:12:21,360 --> 00:12:23,360 so it's really something. 251 00:12:23,360 --> 00:12:26,360 So that's what that's for. 252 00:12:26,360 --> 00:12:28,360 Yeah, her, yeah. 253 00:12:28,360 --> 00:12:30,360 The appendage. 254 00:12:30,360 --> 00:12:31,360 Of course. 255 00:12:31,360 --> 00:12:32,360 Yeah, yeah, yeah. 256 00:12:32,360 --> 00:12:33,360 Puts them together. 257 00:12:33,360 --> 00:12:34,360 Of course, of course. 258 00:12:34,360 --> 00:12:35,360 That's exciting. 259 00:12:35,360 --> 00:12:36,360 Well, it's lovely to see you. 260 00:12:36,360 --> 00:12:38,360 The adventure went really well. 261 00:12:38,360 --> 00:12:40,360 Everybody was very excited to hear 262 00:12:40,360 --> 00:12:43,360 about all the things we didn't find. 263 00:12:43,360 --> 00:12:46,360 When you got back here, you mean your staff? 264 00:12:46,360 --> 00:12:47,360 Well, the staff. 265 00:12:47,360 --> 00:12:49,360 I mean, the mayor had a vested interest 266 00:12:49,360 --> 00:12:51,360 in knowing what was down there. 267 00:12:51,360 --> 00:12:55,360 So, you know, he was a little disappointed. 268 00:12:55,360 --> 00:12:59,360 But the fact that there were rumblings 269 00:12:59,360 --> 00:13:04,360 of gems and jewels 270 00:13:04,360 --> 00:13:07,360 maybe will be making a different excursion 271 00:13:07,360 --> 00:13:09,360 out there another time. 272 00:13:09,360 --> 00:13:11,360 Perhaps with some more people, more force, 273 00:13:11,360 --> 00:13:13,360 because that was terrifying, 274 00:13:13,360 --> 00:13:14,360 running from those. 275 00:13:14,360 --> 00:13:15,360 Yeah, there was. 276 00:13:15,360 --> 00:13:16,360 Whatever that was. 277 00:13:16,360 --> 00:13:17,360 Yeah. 278 00:13:17,360 --> 00:13:18,360 Yeah, great. 279 00:13:18,360 --> 00:13:20,360 Well, you probably need to mingle. 280 00:13:20,360 --> 00:13:21,360 Great party. 281 00:13:21,360 --> 00:13:22,360 I do, yes. 282 00:13:22,360 --> 00:13:23,360 Great party. 283 00:13:23,360 --> 00:13:24,360 Thanks for coming. 284 00:13:24,360 --> 00:13:26,360 Take as many snacks as you need. 285 00:13:26,360 --> 00:13:27,360 That's sweet. 286 00:13:27,360 --> 00:13:28,360 Thank you. 287 00:13:28,360 --> 00:13:29,360 Have some fun. 288 00:13:29,360 --> 00:13:30,360 Have some fun around. 289 00:13:30,360 --> 00:13:31,360 I'll see you later. 290 00:13:31,360 --> 00:13:33,360 Love the costume. 291 00:13:33,360 --> 00:13:35,360 He fades into the crowd. 292 00:13:35,360 --> 00:13:38,360 He 100% has a fuck room. 293 00:13:38,360 --> 00:13:40,360 I mean, this is a brothel. 294 00:13:40,360 --> 00:13:42,360 They're all a fuck room. 295 00:13:42,360 --> 00:13:44,360 The room they're in is a fuck room. 296 00:13:44,360 --> 00:13:46,360 Yeah, but I feel like he would have 297 00:13:46,360 --> 00:13:47,360 a labeled one as his. 298 00:13:47,360 --> 00:13:49,360 Oh, Ignatius' fuck room. 299 00:13:49,360 --> 00:13:50,360 That makes sense. 300 00:13:50,360 --> 00:13:51,360 The fuck room. 301 00:13:51,360 --> 00:13:52,360 He's the boss. 302 00:13:52,360 --> 00:13:53,360 There's a plaque. 303 00:13:54,360 --> 00:13:58,360 Founded in circa year. 304 00:13:58,360 --> 00:13:59,360 Yes. 305 00:13:59,360 --> 00:14:00,360 Exactly. 306 00:14:00,360 --> 00:14:02,360 Yeah, nobody knows what year it is. 307 00:14:02,360 --> 00:14:03,360 It's fine. 308 00:14:03,360 --> 00:14:04,360 We don't know. 309 00:14:04,360 --> 00:14:05,360 Time is a construct. 310 00:14:05,360 --> 00:14:06,360 We don't have schools here. 311 00:14:06,360 --> 00:14:08,360 There's nobody to tell you what day it is. 312 00:14:08,360 --> 00:14:09,360 That's right. 313 00:14:09,360 --> 00:14:11,360 So what is Bonwyn doing? 314 00:14:11,360 --> 00:14:15,360 I think Bonwyn is going to eat some snacks, for sure. 315 00:14:15,360 --> 00:14:17,360 Ignatius does get great catering. 316 00:14:17,360 --> 00:14:19,360 And then just going to go around, 317 00:14:19,360 --> 00:14:21,360 say hello to some people that she knows, 318 00:14:22,360 --> 00:14:25,360 because there is customers here and other people 319 00:14:25,360 --> 00:14:29,360 that she would know from her business. 320 00:14:29,360 --> 00:14:33,360 Also, a lot of people that she does not know. 321 00:14:33,360 --> 00:14:37,360 And she was hoping to kind of fly under the radar here. 322 00:14:37,360 --> 00:14:40,360 But this is actually so much better, 323 00:14:40,360 --> 00:14:43,360 because she's such a spectacle that people almost 324 00:14:43,360 --> 00:14:47,360 don't want to look at her, because it's like, 325 00:14:47,360 --> 00:14:49,360 they have maybe secondhand embarrassment. 326 00:14:49,360 --> 00:14:50,360 I don't know. 327 00:14:50,360 --> 00:14:51,360 Great. 328 00:14:51,360 --> 00:14:53,360 Her and Niven are rocking this costume. 329 00:14:53,360 --> 00:14:55,360 They're awesome. 330 00:14:55,360 --> 00:14:59,360 But this is very handy for Bonwyn putting to use 331 00:14:59,360 --> 00:15:01,360 some skills she's been practicing, 332 00:15:01,360 --> 00:15:05,360 sort of just gently jostling against someone, 333 00:15:05,360 --> 00:15:08,360 and maybe grabbing their earring 334 00:15:08,360 --> 00:15:10,360 as it falls out of their ear, 335 00:15:10,360 --> 00:15:13,360 because they were knocked a little bit. 336 00:15:13,360 --> 00:15:15,360 Or shaking hands. 337 00:15:15,360 --> 00:15:19,360 Shaking hands, and maybe one of those rings 338 00:15:19,360 --> 00:15:20,360 just comes with. 339 00:15:20,360 --> 00:15:22,360 It's a little challenging. 340 00:15:22,360 --> 00:15:24,360 There's not a lot of clothing here. 341 00:15:24,360 --> 00:15:28,360 Not a lot of pockets to be picked. 342 00:15:28,360 --> 00:15:30,360 But there's bling. 343 00:15:30,360 --> 00:15:31,360 There's a lot of bling. 344 00:15:31,360 --> 00:15:33,360 Yeah, there's a lot of accessorizing happening. 345 00:15:33,360 --> 00:15:34,360 For sure. 346 00:15:34,360 --> 00:15:40,360 So this is something Bonwyn's been working on. 347 00:15:40,360 --> 00:15:43,360 And now this has been her first chance 348 00:15:43,360 --> 00:15:48,360 to kind of try it out in a place where she can 349 00:15:48,360 --> 00:15:50,360 maybe have some plausible deniability 350 00:15:50,360 --> 00:15:52,360 if someone sort of catches her. 351 00:15:52,360 --> 00:15:53,360 Like, oh, I'm sorry. 352 00:15:53,360 --> 00:15:54,360 It's a party. 353 00:15:54,360 --> 00:15:56,360 Had too much punch. 354 00:15:56,360 --> 00:15:58,360 I found it on the ground. 355 00:15:58,360 --> 00:15:59,360 Yeah. 356 00:15:59,360 --> 00:16:00,360 Oh, this? 357 00:16:00,360 --> 00:16:01,360 You dropped it. 358 00:16:01,360 --> 00:16:02,360 Yes, exactly. 359 00:16:02,360 --> 00:16:03,360 Perfect. 360 00:16:03,360 --> 00:16:05,360 OK, so you're going around. 361 00:16:05,360 --> 00:16:06,360 This is happening. 362 00:16:06,360 --> 00:16:08,360 Let's see. 363 00:16:08,360 --> 00:16:11,360 I have plenty of pockets, so that's great. 364 00:16:11,360 --> 00:16:13,360 I was going to say, you've got a lot of places to hide things. 365 00:16:13,360 --> 00:16:15,360 I have flowing fabric. 366 00:16:15,360 --> 00:16:21,360 I've got a giraffe vagina, apparently. 367 00:16:21,360 --> 00:16:22,360 Absolutely. 368 00:16:22,360 --> 00:16:24,360 Is it as pronounced as a penis would be? 369 00:16:24,360 --> 00:16:27,360 Is it just a swollen vulva back there? 370 00:16:27,360 --> 00:16:29,360 It's just a swollen vulva back there. 371 00:16:33,360 --> 00:16:35,360 It's supposed to be sexy. 372 00:16:35,360 --> 00:16:36,360 It's a sexy party. 373 00:16:36,360 --> 00:16:39,360 What's more sexy than the actual? 374 00:16:39,360 --> 00:16:40,360 Yep. 375 00:16:40,360 --> 00:16:43,360 She said make the giraffe sexy, OK? 376 00:16:44,360 --> 00:16:45,360 Correct. 377 00:16:45,360 --> 00:16:49,360 We'll be right back. 378 00:16:49,360 --> 00:16:51,360 It's the middle. 379 00:16:51,360 --> 00:16:53,360 Welcome to the middle, everybody. 380 00:16:53,360 --> 00:17:00,360 It's the greatest episode ever that we have ever done and released. 381 00:17:00,360 --> 00:17:01,360 Wow. 382 00:17:01,360 --> 00:17:02,360 Is this one I wasn't on? 383 00:17:02,360 --> 00:17:03,360 Are you trying to tell me something? 384 00:17:03,360 --> 00:17:06,360 No, this is the one with the giraffe costume. 385 00:17:06,360 --> 00:17:07,360 OK, perfect. 386 00:17:07,360 --> 00:17:09,360 You're a part of this one. 387 00:17:09,360 --> 00:17:14,360 Thank God I was because I never would have believed it if I wasn't. 388 00:17:14,360 --> 00:17:19,360 This, I think, may be the silliest. 389 00:17:19,360 --> 00:17:21,360 Well, you haven't even heard it yet. 390 00:17:21,360 --> 00:17:22,360 Keep listening. 391 00:17:22,360 --> 00:17:25,360 It's about to get real silly. 392 00:17:25,360 --> 00:17:30,360 Karla gets real weird with it, and I'm here for it. 393 00:17:30,360 --> 00:17:31,360 I love it so much. 394 00:17:31,360 --> 00:17:32,360 I also agree with that. 395 00:17:32,360 --> 00:17:34,360 I don't want to put that blame back on Karla. 396 00:17:34,360 --> 00:17:35,360 I don't know. 397 00:17:35,360 --> 00:17:38,360 OK, I think, though, that was kind of a joint yes and no. 398 00:17:38,360 --> 00:17:42,360 There was definitely a heightening approach on a back to back there. 399 00:17:42,360 --> 00:17:47,360 Between Russ and Karla and between Niven and Bonwyn. 400 00:17:47,360 --> 00:17:51,360 So it's a nice synergy between real life and podcast life. 401 00:17:51,360 --> 00:17:52,360 Everyone was on board. 402 00:17:52,360 --> 00:17:53,360 Yeah. 403 00:17:53,360 --> 00:17:59,360 So that just is the transition into this episode is dedicated to one of our patrons. 404 00:17:59,360 --> 00:18:00,360 So you're welcome. 405 00:18:00,360 --> 00:18:01,360 You're welcome. 406 00:18:01,360 --> 00:18:07,360 When you support us, because we are a Patreon-supported show where you get access to a whole bunch of great bonus content, 407 00:18:07,360 --> 00:18:11,360 including an entire five seasons of another podcast. 408 00:18:11,360 --> 00:18:18,360 And now that I have some extra time, I'm going to catch up on cyberpunk and start getting that out a little quicker here. 409 00:18:18,360 --> 00:18:20,360 It's going to be great. 410 00:18:20,360 --> 00:18:26,360 But you also get an episode dedicated to you, like today's patron, Brian Sullivan. 411 00:18:26,360 --> 00:18:28,360 Oh, thank you. 412 00:18:28,360 --> 00:18:29,360 Thank you. 413 00:18:29,360 --> 00:18:31,360 And you're welcome. 414 00:18:31,360 --> 00:18:34,360 Brian, you are forever attached to this episode. 415 00:18:34,360 --> 00:18:35,360 Yes, you are. 416 00:18:36,360 --> 00:18:38,360 The cosmos will hear it. 417 00:18:38,360 --> 00:18:40,360 Whenever people think of you, they will think of this. 418 00:18:40,360 --> 00:18:45,360 Maybe show your parents, you know, friends, family members, grandparents, whatever. 419 00:18:45,360 --> 00:18:46,360 They mentioned me on this podcast. 420 00:18:46,360 --> 00:18:48,360 And then just let it keep rolling out for this. 421 00:18:48,360 --> 00:18:49,360 Just trust me. 422 00:18:49,360 --> 00:18:50,360 Don't pre-listen. 423 00:18:50,360 --> 00:18:53,360 Just put it on the Bluetooth at work. 424 00:18:53,360 --> 00:18:54,360 Send it to them right now. 425 00:18:54,360 --> 00:18:55,360 Blast it out. 426 00:18:55,360 --> 00:18:58,360 And maintain prolonged eye contact. 427 00:18:58,360 --> 00:18:59,360 Yes, that's the key. 428 00:18:59,360 --> 00:19:00,360 Yes. 429 00:19:00,360 --> 00:19:02,360 We are very self aware. 430 00:19:02,360 --> 00:19:04,360 So we know exactly what we've done here. 431 00:19:04,360 --> 00:19:06,360 And it's great. 432 00:19:06,360 --> 00:19:07,360 It's wonderful. 433 00:19:07,360 --> 00:19:08,360 Yep. 434 00:19:08,360 --> 00:19:09,360 There's nothing wrong with it. 435 00:19:09,360 --> 00:19:10,360 No. 436 00:19:10,360 --> 00:19:18,360 So you too can have an episode dedicated to you, like Brian, at patreon.com slash dumb dragon cast. 437 00:19:18,360 --> 00:19:21,360 And now I was going to say fuck it. 438 00:19:21,360 --> 00:19:22,360 Let's play. 439 00:19:22,360 --> 00:19:23,360 I know. 440 00:19:23,360 --> 00:19:24,360 I was just going to say fuck it. 441 00:19:24,360 --> 00:19:25,360 Let's play. 442 00:19:25,360 --> 00:19:26,360 No, wait a minute. 443 00:19:26,360 --> 00:19:30,360 This is a season one, season two intro, but we're in the middle is what we are. 444 00:19:30,360 --> 00:19:31,360 So we're going to get you back to the episode. 445 00:19:31,360 --> 00:19:32,360 Thanks, everybody. 446 00:19:32,360 --> 00:19:33,360 Get back to the episode. 447 00:19:33,360 --> 00:19:34,360 Fuck it. 448 00:19:34,360 --> 00:19:35,360 Get out of here. 449 00:19:35,360 --> 00:19:36,360 Thanks, friends. 450 00:19:36,360 --> 00:19:37,360 Bye. 451 00:19:37,360 --> 00:19:38,360 Bye. 452 00:19:38,360 --> 00:19:44,360 So this is going off and you're doing, you know, you're, you're, you're, you're 453 00:19:44,360 --> 00:19:45,360 doing your crimes. 454 00:19:45,360 --> 00:19:48,760 Things are working for you. 455 00:19:48,760 --> 00:19:50,320 Going about. 456 00:19:50,319 --> 00:19:57,319 Make a sleight of hand check to see how successful we are throughout the evening. 457 00:19:57,319 --> 00:20:02,319 I mean, the hardest one's got to be the dude with the diamond nipple rings, right? 458 00:20:02,319 --> 00:20:05,319 Sleight of hand was 16. 459 00:20:05,319 --> 00:20:11,319 You managed to take several rings of various sizes and rubies and jewels. 460 00:20:11,319 --> 00:20:16,319 You managed to walk away with a necklace and some earrings. 461 00:20:16,319 --> 00:20:23,319 You do find several decorative, but gold still coins that you managed to pull off 462 00:20:23,319 --> 00:20:24,319 of people. 463 00:20:24,319 --> 00:20:29,319 And you're, you're making your way through the crowd. 464 00:20:29,319 --> 00:20:35,319 Surprising number of Prince Albert rings as well because you got to take those out 465 00:20:35,319 --> 00:20:36,319 for some activities. 466 00:20:36,319 --> 00:20:40,319 And there's just a table that's just like leave your cock ring here. 467 00:20:40,319 --> 00:20:42,319 Take a ring, leave a ring is what the sign says. 468 00:20:42,319 --> 00:20:54,319 And you're, you're going up to someone who is who, who has overdone it and who like 469 00:20:54,319 --> 00:20:57,319 to the max, like everybody's got a lot of things on them. 470 00:20:57,319 --> 00:21:03,319 But this person, this woman has like these like layered necklace of all different 471 00:21:03,319 --> 00:21:08,319 diamonds and jewels and gems and like has bracelets like all the way up to her 472 00:21:08,319 --> 00:21:09,319 elbow almost. 473 00:21:09,319 --> 00:21:14,319 And they're varying sizes and you're going to like, this is an easy, easy get 474 00:21:14,319 --> 00:21:16,319 picturing this woman. 475 00:21:16,319 --> 00:21:20,319 What do you try and take from her? 476 00:21:20,319 --> 00:21:21,319 What is her? 477 00:21:21,319 --> 00:21:23,319 What animal is she? 478 00:21:23,319 --> 00:21:25,319 She's dressed as a peacock. 479 00:21:25,319 --> 00:21:27,319 I was just thinking of peacock. 480 00:21:27,319 --> 00:21:28,319 Get out of my head. 481 00:21:28,319 --> 00:21:32,319 What I'm picturing now is like mostly just jewels. 482 00:21:32,319 --> 00:21:36,319 But then with a big sort of fan of feathers behind her. 483 00:21:37,319 --> 00:21:39,319 Dresses a male peacock. 484 00:21:39,319 --> 00:21:40,319 Yes. 485 00:21:40,319 --> 00:21:41,319 Well, that's the sexy one. 486 00:21:41,319 --> 00:21:44,319 Otherwise she'd just be like a little brown bird. 487 00:21:44,319 --> 00:21:47,319 Little brown bird sitting in the corner. 488 00:21:47,319 --> 00:21:48,319 Oh, excuse me. 489 00:21:48,319 --> 00:21:52,319 I just, one of your feathers is a little, could I just fix it? 490 00:21:52,319 --> 00:21:53,319 Oh, of course. 491 00:21:53,319 --> 00:21:54,319 Yes, please, please, please, please. 492 00:21:54,319 --> 00:21:55,319 Okay. 493 00:21:55,319 --> 00:21:59,319 So I sort of reach behind her and, and one of her feathers was a skew. 494 00:21:59,319 --> 00:22:00,319 I'm not a monster. 495 00:22:00,319 --> 00:22:02,319 So I'm fixing that. 496 00:22:02,319 --> 00:22:08,319 But while I do that, I do kind of reach behind her neck and undo one of the 497 00:22:08,319 --> 00:22:13,319 clasps and I'm still working behind her and I catch the necklace with my 498 00:22:13,319 --> 00:22:15,319 other hand. 499 00:22:15,319 --> 00:22:16,319 She can't notice. 500 00:22:16,319 --> 00:22:17,319 There's like 50 on there. 501 00:22:17,319 --> 00:22:18,319 She does. 502 00:22:18,319 --> 00:22:19,319 Maybe. 503 00:22:19,319 --> 00:22:20,319 Does she notice? 504 00:22:20,319 --> 00:22:22,319 Your face is all up too. 505 00:22:22,319 --> 00:22:24,319 Like you got a big draft neck. 506 00:22:24,319 --> 00:22:25,319 She can't see anything. 507 00:22:25,319 --> 00:22:27,319 Yeah, she's like, did you get it dear? 508 00:22:27,319 --> 00:22:29,319 She doesn't seem to notice. 509 00:22:29,319 --> 00:22:31,319 Is everything okay back there? 510 00:22:31,319 --> 00:22:33,319 You look perfect. 511 00:22:33,319 --> 00:22:34,319 Thank you. 512 00:22:34,319 --> 00:22:35,319 Thank you. 513 00:22:35,319 --> 00:22:38,319 You look lovely as well. 514 00:22:38,319 --> 00:22:39,319 Yes. 515 00:22:39,319 --> 00:22:40,319 No, I see it. 516 00:22:40,319 --> 00:22:41,319 They see the draft. 517 00:22:41,319 --> 00:22:44,319 It's very showy in the back. 518 00:22:44,319 --> 00:22:45,319 I see what you're in. 519 00:22:45,319 --> 00:22:48,319 You know, you're into some partying later. 520 00:22:48,319 --> 00:22:51,319 My best friend, my best friend is over. 521 00:22:51,319 --> 00:22:52,319 She's coming here. 522 00:22:52,319 --> 00:22:56,319 And you see Neve walking towards you and waving at you and saying, you 523 00:22:56,319 --> 00:22:59,319 know, saying, bidding adieu to some people she was talking to. 524 00:22:59,319 --> 00:23:00,319 She makes her way over. 525 00:23:00,319 --> 00:23:02,319 Are you having a good night? 526 00:23:02,319 --> 00:23:05,319 Oh, Brenzier. 527 00:23:05,319 --> 00:23:06,319 Lovely to see you. 528 00:23:06,319 --> 00:23:08,319 Yes, lovely to see you. 529 00:23:08,319 --> 00:23:10,319 Same, same, same. 530 00:23:10,319 --> 00:23:12,319 She gets called over in a way. 531 00:23:12,319 --> 00:23:15,319 So how have you been making out? 532 00:23:15,319 --> 00:23:16,319 Oh, great. 533 00:23:16,319 --> 00:23:18,319 How have you been making out? 534 00:23:18,319 --> 00:23:21,319 It's been a fine evening, but I'm back. 535 00:23:21,319 --> 00:23:24,319 We can do whatever else you need. 536 00:23:24,319 --> 00:23:26,319 Doesn't even know what I'm up to. 537 00:23:26,319 --> 00:23:27,319 This is the question. 538 00:23:27,319 --> 00:23:30,319 Doesn't even know what you're up to. 539 00:23:30,319 --> 00:23:32,319 Huh. 540 00:23:32,319 --> 00:23:35,319 Where are you hiding all of this? 541 00:23:35,319 --> 00:23:39,319 Well, I'm probably just wearing like a tracksuit under this enormous costume. 542 00:23:39,319 --> 00:23:40,319 Sure, sure, sure, sure. 543 00:23:40,319 --> 00:23:43,319 It's just in my pocket probably. 544 00:23:43,319 --> 00:23:49,319 It was going to be harder if I was wearing a spandex thing, but instead I got this sort of voluminous thing. 545 00:23:49,319 --> 00:23:51,319 Instead we got the full, yes. 546 00:23:51,319 --> 00:23:56,319 Um, wouldn't even know. 547 00:23:56,319 --> 00:24:04,319 Didn't even know you took the gold, the first visit we saw at Ignatius'. 548 00:24:04,319 --> 00:24:07,319 I don't think so. 549 00:24:07,319 --> 00:24:15,319 My gut says she maybe like kind of knows something's going on, but I haven't told her. 550 00:24:15,319 --> 00:24:16,319 Right. 551 00:24:16,319 --> 00:24:18,319 We haven't talked about it. 552 00:24:18,319 --> 00:24:23,319 She's kind of just giving me space to tell her in my own time, you know? 553 00:24:23,319 --> 00:24:24,319 Okay, cool. 554 00:24:24,319 --> 00:24:25,319 Yeah, okay. 555 00:24:25,319 --> 00:24:27,319 Well, I'm glad you're having a fun night. 556 00:24:27,319 --> 00:24:30,319 We can hang out for a little bit or we can go now. 557 00:24:30,319 --> 00:24:33,319 You know, maybe we give them the full show on the way out. 558 00:24:33,319 --> 00:24:35,319 I mean, we have to, I think. 559 00:24:35,319 --> 00:24:36,319 Of course, of course. 560 00:24:36,319 --> 00:24:46,319 The uncoupling was not graceful, so I want them to really have an impression of the sort of craftsmanship of this beautiful costume we've created. 561 00:24:46,319 --> 00:24:47,319 Yes, of course. 562 00:24:47,319 --> 00:24:52,319 And she calls everybody's attention and says, everybody, we will be parting soon. 563 00:24:52,319 --> 00:24:57,319 So I just wanted to give the full experience for the giraffes because we got a lot of looks separately. 564 00:24:57,319 --> 00:25:07,319 But together, and she moves up behind you and inserts her giant giraffe phallus into your swollen giraffe vulva. 565 00:25:07,319 --> 00:25:09,319 What is this show we make? 566 00:25:09,319 --> 00:25:10,319 It's a great question. 567 00:25:10,319 --> 00:25:12,319 Do people listen to this garbage? 568 00:25:12,319 --> 00:25:14,319 What is this? 569 00:25:15,319 --> 00:25:20,319 And there's a smattering of applause through the room. 570 00:25:20,319 --> 00:25:22,319 Thank you. 571 00:25:22,319 --> 00:25:24,319 Lovely, lovely. 572 00:25:24,319 --> 00:25:26,319 Well, we'll be going now. 573 00:25:26,319 --> 00:25:28,319 Thank you so much for having us, Ignatius. 574 00:25:28,319 --> 00:25:30,319 Whatever. 575 00:25:30,319 --> 00:25:32,319 You guys made half the crowd horny. 576 00:25:32,319 --> 00:25:34,319 Yeah. 577 00:25:34,319 --> 00:25:37,319 There's a lot of boning going to happen as soon as we leave. 578 00:25:37,319 --> 00:25:39,319 I mean, there's a lot of boning happening. 579 00:25:39,319 --> 00:25:41,319 There's the doors opening. 580 00:25:41,319 --> 00:25:43,319 I mean, all those Prince Elvarts were there. 581 00:25:43,319 --> 00:25:45,319 Going back in for round two. 582 00:25:45,319 --> 00:25:52,319 And as you make your way out and down the steps, you get away from the main crowd and out into the street 583 00:25:52,319 --> 00:25:59,319 and even there's a bit of jingling in your suit that wasn't there before. 584 00:25:59,319 --> 00:26:01,319 That's weird. 585 00:26:01,319 --> 00:26:03,319 Weird. 586 00:26:03,319 --> 00:26:04,319 I wonder what that's about. 587 00:26:04,319 --> 00:26:06,319 You have fun though, right? 588 00:26:06,319 --> 00:26:08,319 Yeah. 589 00:26:08,319 --> 00:26:11,319 Yeah, I would say it was a successful evening. 590 00:26:11,319 --> 00:26:13,319 Thank you so much for inviting me. 591 00:26:13,319 --> 00:26:14,319 Of course. 592 00:26:14,319 --> 00:26:16,319 Anytime, anytime, especially if we get to wear something like this. 593 00:26:16,319 --> 00:26:18,319 Start thinking on the next one. 594 00:26:18,319 --> 00:26:20,319 I'll let you know when the theme's out. 595 00:26:20,319 --> 00:26:23,319 And then we can workshop something that tops this. 596 00:26:23,319 --> 00:26:25,319 We've really set a precedent. 597 00:26:25,319 --> 00:26:29,319 So we should have maybe gone simpler this time so that we could escalate. 598 00:26:29,319 --> 00:26:31,319 It's going to be hard to go up from here. 599 00:26:31,319 --> 00:26:36,319 Neiman gives you a little bit of a knowing look as you continue chattering down the street 600 00:26:36,319 --> 00:26:38,319 and heading back towards home. 601 00:26:48,319 --> 00:26:57,319 And we cut to a part of the city that we haven't really explored yet. 602 00:26:57,319 --> 00:27:05,319 We find ourselves within the city limits, but it's surrounded by trees. 603 00:27:05,319 --> 00:27:07,319 And we're within the forest. 604 00:27:07,319 --> 00:27:13,319 We hear some footsteps and see soft torchlight coming down this alleyway. 605 00:27:13,319 --> 00:27:16,319 And Bazaard comes around the corner. 606 00:27:16,319 --> 00:27:25,319 And he's making his way back to what we can see as a door in the back of a restaurant. 607 00:27:25,319 --> 00:27:31,319 I make my way up to the door and I give it a very arithmatic kind of knock. 608 00:27:31,319 --> 00:27:37,319 There's a brief moment and then you hear some heavy footsteps inside. 609 00:27:37,319 --> 00:27:39,319 A slot in the door slides open. 610 00:27:39,319 --> 00:27:43,319 You see a pair of eyes from the other side. 611 00:27:43,319 --> 00:27:47,319 It slides shut again and the door opens. 612 00:27:47,319 --> 00:27:54,319 And we see a man in his probably mid to late 40s. 613 00:27:54,319 --> 00:27:57,319 He's got a tattered t-shirt. 614 00:27:57,319 --> 00:28:03,319 Some worn green just traveling pants and big heavy boots. 615 00:28:03,319 --> 00:28:05,319 And he says, are you here for Kenny? 616 00:28:05,319 --> 00:28:08,319 Uh, Kenny's here. 617 00:28:08,319 --> 00:28:10,319 Oh yeah, Kenny's here. 618 00:28:10,319 --> 00:28:12,319 Come on in. 619 00:28:12,319 --> 00:28:15,319 I walk on in. 620 00:28:15,319 --> 00:28:21,319 The door shuts behind you and it's lit by a few candles. 621 00:28:21,319 --> 00:28:27,319 There's a door on the other side of this room and it goes down a set of stairs. 622 00:28:27,319 --> 00:28:30,319 He's down there in the back room. 623 00:28:30,319 --> 00:28:35,319 Just ask the pit boss and he'll send you in the right direction. 624 00:28:35,319 --> 00:28:36,319 Very well. 625 00:28:36,319 --> 00:28:38,319 Thank you. 626 00:28:38,319 --> 00:28:40,319 I make my way down. 627 00:28:40,319 --> 00:28:42,319 You go down these creaky steps. 628 00:28:42,319 --> 00:28:48,319 And as you descend into the earth, you hear a sound. 629 00:28:48,319 --> 00:28:59,319 And as you descend into the earth, you can hear what was like a muffled din up in the room becomes clearer as the farther you go down. 630 00:28:59,319 --> 00:29:03,319 Still sounding like you're, you know, that kind of drummer next door kind of thing. 631 00:29:03,319 --> 00:29:10,319 But you get to a door down at the end of the hall and you reach to try it and it opens. 632 00:29:10,319 --> 00:29:20,319 This cacophonous sound and flashing lights all over this room kind of erupt in front of you and you're entering a casino. 633 00:29:20,319 --> 00:29:27,319 There's games, card games and other activities happening throughout the space. 634 00:29:27,319 --> 00:29:37,319 And one man well dressed in a dark suit comes over and he says, can I help you with something? 635 00:29:38,319 --> 00:29:40,319 You are the pit boss. 636 00:29:40,319 --> 00:29:43,319 He looks at you and gives a nod. 637 00:29:43,319 --> 00:29:47,319 I'm here to see Mr. Flames. 638 00:29:47,319 --> 00:29:51,319 He looks to the back and says, yeah, give me a moment. 639 00:29:51,319 --> 00:29:57,319 He makes his way across the room, leaving you to kind of just observe everything. 640 00:29:57,319 --> 00:30:01,319 Few people look over to you, but nobody's really paying attention. 641 00:30:01,319 --> 00:30:07,319 In this space, you see a few people you recognize from the city. 642 00:30:07,319 --> 00:30:15,319 I mean, you recognize several of them, but there are a couple of nobles from the other side of the river who you particularly notice. 643 00:30:15,319 --> 00:30:19,319 A few people from City Hall kind of scattered throughout. 644 00:30:19,319 --> 00:30:22,319 Not a lot of people from the Artisan District. 645 00:30:22,319 --> 00:30:26,319 And then a lot of people who don't make their way into town very often. 646 00:30:26,319 --> 00:30:31,319 But you've seen around, passed through to the docks kind of thing. 647 00:30:31,319 --> 00:30:36,319 After a moment, the pit boss comes back and says, yeah, come with me. 648 00:30:36,319 --> 00:30:48,319 Leads you through this crowd and you make your way to a very heavy door on the other side of the room. 649 00:30:48,319 --> 00:30:50,319 He swings it open. 650 00:30:50,319 --> 00:30:54,319 It's got a heavy metal creak to it. 651 00:30:54,319 --> 00:31:00,319 And there's this glowing red light coming from the inside. 652 00:31:00,319 --> 00:31:02,319 Kenny will see you. 653 00:31:02,319 --> 00:31:04,319 I walk in. 654 00:31:04,319 --> 00:31:15,319 As you walk in, there's this large, I don't want to call it a large desk anymore because Nina had a large desk. 655 00:31:15,319 --> 00:31:21,319 This is a large room with an equitable size desk inside of it. 656 00:31:21,319 --> 00:31:24,319 Proportionally, it's right for the room is what we're saying. 657 00:31:24,319 --> 00:31:30,319 This one makes, yeah, it's a large desk but it's inside a much larger room so it feels like it fits. 658 00:31:30,319 --> 00:31:43,319 And there's the back of a leather chair and just up from the top of the chair there's this fire where you would expect to see hair. 659 00:31:43,319 --> 00:31:48,319 The door slams shut and echoes throughout the space. 660 00:31:51,319 --> 00:32:11,319 Dumbgeons and Dragons Season 3 Episode 21 starring Amy More as Alydin, Carla Maxted as Bonwyn Everpain, Tom Laird as Kavlaran Goldweave, Kyle Claset as Bizard the Wizard, and Russ More as your dungeon master. 661 00:32:11,319 --> 00:32:15,319 Dialogue Editing by Carla Maxted and Sound Design by Russ More. 662 00:32:15,319 --> 00:32:23,319 This episode featured music from Epidemic Sound and Slipstream and sound effects from Epidemic Sound, Boom Library and Sound Ideas. 663 00:32:23,319 --> 00:32:27,319 Our amazing cover art and character designs are by Matt Garbutt. 664 00:32:27,319 --> 00:32:42,319 And a huge thank you to our supporting producers, Gabriel Lynch, Jessica Babiak, Cat Waterflame, Jacob Madden, Christian Brown, Ongorong Kiersen, Perry Matey, Craig Zeiss, Old School Gamer D, L.A. Branton, Nathaniel Teeter and Aaron. 665 00:32:42,319 --> 00:32:44,319 Do you feel like you're missing out on more adventure? 666 00:32:44,319 --> 00:32:50,319 Well, you can join us on Patreon at patreon.com slash dumb dragon cast, where there's so much adventure. 667 00:32:50,319 --> 00:32:57,319 An exclusive podcast called The Adventures of that has five seasons now going into our sixth season. 668 00:32:57,319 --> 00:32:58,319 We've got cyberpunk red. 669 00:32:58,319 --> 00:33:02,319 We've got the session zero and episode one comes out this week. 670 00:33:02,319 --> 00:33:05,319 Tons of one shots, hangouts and so much more. 671 00:33:05,319 --> 00:33:08,319 Come join us today at patreon.com slash dumb dragon cast. 672 00:33:08,319 --> 00:33:09,319 Seven day free trial. 673 00:33:09,319 --> 00:33:10,319 Get some merch. 674 00:33:10,319 --> 00:33:11,319 It's a great time. 675 00:33:11,319 --> 00:33:12,319 We'll hope to see you over there. 676 00:33:12,319 --> 00:33:13,319 OK. 677 00:33:13,319 --> 00:33:14,319 You have a great week. 678 00:33:14,319 --> 00:33:15,319 Thanks for being here. 679 00:33:15,319 --> 00:33:16,319 We'll talk to you soon. 680 00:33:17,319 --> 00:33:19,319 Sightment through you, Alydin. 681 00:33:19,319 --> 00:33:21,319 Bizarre. 682 00:33:21,319 --> 00:33:26,319 What's your not resting perception. 683 00:33:26,319 --> 00:33:28,319 Your passive perception. 684 00:33:28,319 --> 00:33:29,319 Eleven. 685 00:33:29,319 --> 00:33:31,319 What's your resting perception here? 686 00:33:31,319 --> 00:33:34,319 Oh, when I'm sitting in a chair, I can see things. 687 00:33:34,319 --> 00:33:37,319 What is your resting bitch face? 688 00:33:37,319 --> 00:33:41,319 Dumbgeons and Dragons is a dumb dragons production.