1 00:00:00,000 --> 00:00:06,000 Dumbgeons and Dragons, that's the show you're listening to, will begin in a moment! Stick with us! 2 00:00:07,000 --> 00:00:12,000 A light breeze is blowing through the stable. 3 00:00:12,000 --> 00:00:19,000 And the children are surrounding Alydin who's handing out many baguettes. 4 00:00:19,000 --> 00:00:23,000 Is that, is that, is that, is that from the Copper Kettle again? 5 00:00:23,000 --> 00:00:25,000 Yes it is. 6 00:00:25,000 --> 00:00:29,000 They didn't, they didn't have any butter this time, hey? 7 00:00:29,000 --> 00:00:31,000 We do not complain. 8 00:00:31,000 --> 00:00:35,000 No, but it was just so tasty the last time, right everybody? 9 00:00:35,000 --> 00:00:37,000 You don't want it, I'll eat it. 10 00:00:37,000 --> 00:00:39,000 No, I'm not complaining, I'm just saying. 11 00:00:39,000 --> 00:00:41,000 You're not complaining, it sounds like you're complaining. 12 00:00:41,000 --> 00:00:50,000 I'm not complaining, I was just saying maybe we could go, I could go find some if you didn't have any in that pocket right there. 13 00:00:50,000 --> 00:00:52,000 In what pocket right where? 14 00:00:52,000 --> 00:00:54,000 That one right there. 15 00:00:54,000 --> 00:00:56,000 You think I have butter in my pocket? 16 00:00:56,000 --> 00:00:58,000 I think you have butter in your pocket. 17 00:00:58,000 --> 00:01:00,000 You want to check my pocket, Tally? 18 00:01:00,000 --> 00:01:02,000 No, I don't want to check your pocket. 19 00:01:02,000 --> 00:01:07,000 Yeah, that'd be weird. Also, it's not where you keep butter, I'd keep it in my bucket if I had any. 20 00:01:07,000 --> 00:01:09,000 And you know I'd give you some. 21 00:01:09,000 --> 00:01:12,000 I'm not saying you wouldn't. 22 00:01:12,000 --> 00:01:14,000 Well, I think you just said that. 23 00:01:14,000 --> 00:01:17,000 Anyway, okay gather around everybody. 24 00:01:17,000 --> 00:01:20,000 This is, this is where she ends on the butter. 25 00:01:20,000 --> 00:01:24,000 Tally's gonna be super disappointed you guys are here talking like this. 26 00:01:24,000 --> 00:01:27,000 Did you want me to bring you a four course meal? Maybe some wine? 27 00:01:27,000 --> 00:01:28,000 What's wine? 28 00:01:28,000 --> 00:01:32,000 What you're doing right now about this bread, now shut your yap. 29 00:01:32,000 --> 00:01:42,000 And Alydin breaks up the bread and divvies it out and they're all sitting around on the ground around a low crate. 30 00:01:42,000 --> 00:01:48,000 It's kind of, it's very like Japanese style seating kind of that what we've got going on here. 31 00:01:48,000 --> 00:01:52,000 We're on the floor with low table and Alydin says, 32 00:01:52,000 --> 00:01:57,000 Alright you guys, so I want you to stop for a second right before you take a bite. 33 00:01:57,000 --> 00:02:00,000 And we're going to say thank you Mrs. Figglesworth. 34 00:02:00,000 --> 00:02:03,000 Ready? Three, two, one. 35 00:02:03,000 --> 00:02:07,000 Thank you Mrs. Figglesworth. 36 00:02:07,000 --> 00:02:10,000 Okay, dive in. 37 00:02:10,000 --> 00:02:16,000 Welcome to Dumbgeons and Dragons, a D&D fifth edition actual play podcast. 38 00:02:16,000 --> 00:02:19,000 I'm your dungeon master Russ More, he him. 39 00:02:19,000 --> 00:02:23,000 And Dumbgeons and Dragons stars Amy More as Alydin, she her. 40 00:02:23,000 --> 00:02:30,000 And on that horrifically graphic note, Alydin lights one of her candles. 41 00:02:30,000 --> 00:02:33,000 Tom Laird as Kavlaran Goldweave, he him. 42 00:02:33,000 --> 00:02:39,000 Well I really haven't and you know we share a desk a lot of the times when we're at work and so I would have noticed. 43 00:02:39,000 --> 00:02:42,000 And Carla Max dead, she her. 44 00:02:42,000 --> 00:02:47,000 That little bit smells like a brewery when the two of you enter. 45 00:02:47,000 --> 00:02:52,000 Dumbgeons and Dragons is a D&D production and supported by our patrons. 46 00:02:52,000 --> 00:02:55,000 You can find that at patreon.com slash D&D cast. 47 00:02:55,000 --> 00:03:03,000 Hey sign up for a seven day free trial and now fuck it, let's play. 48 00:03:03,000 --> 00:03:12,000 Bench and Cav have made their way and are standing outside the Sweet Apothecary. 49 00:03:12,000 --> 00:03:24,000 The Sweet Apothecary is the only apothecary in Vintersmouth and it's owned by the twins Ursula Major and Ursula Minor. 50 00:03:24,000 --> 00:03:36,000 Two lovely human women who pride themselves on the finest remedies, the most delightful potions. 51 00:03:36,000 --> 00:03:46,000 And as you are about to walk towards the door, Bench taps your shoulder and says, have you been in here yet? 52 00:03:46,000 --> 00:03:50,000 No, I walk by all the time but never have gone in. 53 00:03:50,000 --> 00:03:52,000 They're lovely, they're lovely. 54 00:03:52,000 --> 00:03:55,000 Don't touch anything, don't drink anything. 55 00:03:55,000 --> 00:03:58,000 Not unless you pay for it, of course. 56 00:03:58,000 --> 00:04:05,000 No samples, no, well I mean if we're gonna, we don't want a floor is all I'm saying. 57 00:04:05,000 --> 00:04:07,000 Yeah, no definitely want to avoid that. 58 00:04:07,000 --> 00:04:09,000 I don't think they do that anymore though. 59 00:04:09,000 --> 00:04:13,000 I heard that they don't do that anymore with the mystery potion. 60 00:04:13,000 --> 00:04:15,000 Right, right. 61 00:04:15,000 --> 00:04:16,000 Well just in case. 62 00:04:16,000 --> 00:04:17,000 Okay, let's go. 63 00:04:17,000 --> 00:04:34,000 And he swings the door open and the two of you walk in and you're hit with this perfumed smell of lavenders and chamomile and another thing that smells really good. 64 00:04:34,000 --> 00:04:36,000 I was thinking it was going to be like patchouli. 65 00:04:36,000 --> 00:04:37,000 Like patchouli. 66 00:04:37,000 --> 00:04:38,000 I thought so too, yeah. 67 00:04:38,000 --> 00:04:40,000 Yes, mixed in also patchouli. 68 00:04:40,000 --> 00:04:41,000 Yes, thank you. 69 00:04:41,000 --> 00:04:42,000 Bergamot came to my mind. 70 00:04:42,000 --> 00:04:44,000 See, there you go. 71 00:04:44,000 --> 00:04:45,000 Nice. 72 00:04:46,000 --> 00:04:49,000 Little bell jingles as the door opens. 73 00:04:49,000 --> 00:05:10,000 You step in on creaky wood floors and there's a few small tables throughout the space and shelves lining the walls and then through a beaded curtain behind the register come two women and Carla and Amy as you have declared that you wish to play these characters. 74 00:05:10,000 --> 00:05:15,000 I would like you to describe Ursula Major and Ursula Minor as you enter the space. 75 00:05:15,000 --> 00:05:26,000 So we walk out and Ursula Minor is at least a head taller than Ursula Major. 76 00:05:26,000 --> 00:05:28,000 I love you so much. 77 00:05:28,000 --> 00:05:30,000 This is exactly what I was thinking. 78 00:05:30,000 --> 00:05:35,000 Obviously, Minor is big and Major is small. 79 00:05:35,000 --> 00:05:40,000 Obviously, I am picturing because their name is Ursula. 80 00:05:40,000 --> 00:05:46,000 So all I'm picturing is I guess divine slash Ursula the sea witch. 81 00:05:46,000 --> 00:05:47,000 Sure, absolutely. 82 00:05:47,000 --> 00:05:49,000 Because that's how brains work. 83 00:05:49,000 --> 00:05:51,000 The little mermaid really imprinted on me. 84 00:05:51,000 --> 00:05:52,000 100%. 85 00:05:52,000 --> 00:05:53,000 Yeah. 86 00:05:53,000 --> 00:06:08,000 Which I can kind of see sort of like Ursula's hair could be sort of West Coast 60s like in her 60s, not from the 60s. 87 00:06:08,000 --> 00:06:23,000 But like Gulf Island hippie kind of like you know the cool older ladies who have fun dyed colored hair and wear like jingly things. 88 00:06:23,000 --> 00:06:28,000 Oh yeah, lots of bangles, beads, scarves. 89 00:06:28,000 --> 00:06:36,000 You know all those clothes that when you go to the farmers market or any kind of like outdoor markets you know exactly the clothes I'm talking about, right? 90 00:06:36,000 --> 00:06:38,000 This is exactly what I was picturing. 91 00:06:38,000 --> 00:06:40,000 The harem pants. 92 00:06:40,000 --> 00:06:42,000 A lot of bamboo fiber. 93 00:06:42,000 --> 00:06:47,000 Yeah, this is 100% what I was picturing. 94 00:06:47,000 --> 00:06:48,000 It's a lot. 95 00:06:48,000 --> 00:06:50,000 It's a lot. 96 00:06:50,000 --> 00:06:51,000 That's a lot. 97 00:06:51,000 --> 00:07:01,000 Yeah, it's like Coco Chanel said get dressed and take off one accessory and they could take off like 10 accessories each and maybe still be a little bit overdressed. 98 00:07:01,000 --> 00:07:04,000 But they love it and more power to them. 99 00:07:05,000 --> 00:07:08,000 Oh, customers, customers. 100 00:07:08,000 --> 00:07:09,000 Yes, sister. 101 00:07:09,000 --> 00:07:10,000 Customers. 102 00:07:10,000 --> 00:07:11,000 Hi. 103 00:07:11,000 --> 00:07:12,000 Come in. 104 00:07:12,000 --> 00:07:13,000 Come in. 105 00:07:13,000 --> 00:07:14,000 How can we help you? 106 00:07:14,000 --> 00:07:15,000 Hello Ursula. 107 00:07:15,000 --> 00:07:16,000 Hello Ursula. 108 00:07:16,000 --> 00:07:18,000 Who's your friend? 109 00:07:18,000 --> 00:07:19,000 This is Newton. 110 00:07:19,000 --> 00:07:21,000 This is Cav. 111 00:07:21,000 --> 00:07:22,000 Cav. 112 00:07:22,000 --> 00:07:25,000 This is Ursula Major and Ursula Minor. 113 00:07:25,000 --> 00:07:28,000 They are the proprietors of this establishment. 114 00:07:28,000 --> 00:07:29,000 Cav. 115 00:07:29,000 --> 00:07:31,000 So nice to meet you. 116 00:07:31,000 --> 00:07:32,000 Very nice to meet you. 117 00:07:32,000 --> 00:07:35,000 I'm Major, my sister, Minor. 118 00:07:35,000 --> 00:07:38,000 Oh, that's very, it's not what I, okay, yeah, gotcha. 119 00:07:38,000 --> 00:07:41,000 Nothing is as you'll expect in this shop. 120 00:07:41,000 --> 00:07:43,000 Yeah, don't, don't drink any of the samples. 121 00:07:43,000 --> 00:07:44,000 Just. 122 00:07:44,000 --> 00:07:48,000 Do you have a delicious oolong that we've been brewing? 123 00:07:48,000 --> 00:07:50,000 Would you like some of that? 124 00:07:50,000 --> 00:07:51,000 No, no thanks. 125 00:07:51,000 --> 00:07:55,000 I just had a couple questions for you guys. 126 00:07:55,000 --> 00:07:56,000 Sister questions. 127 00:07:56,000 --> 00:07:59,000 We like customers best. 128 00:07:59,000 --> 00:08:00,000 Best. 129 00:08:00,000 --> 00:08:03,000 But second best, we like questions. 130 00:08:03,000 --> 00:08:04,000 Well, we might buy something. 131 00:08:04,000 --> 00:08:05,000 We'll see how it goes. 132 00:08:05,000 --> 00:08:07,000 I'll take a new oolong. 133 00:08:07,000 --> 00:08:09,000 Okay, great. 134 00:08:09,000 --> 00:08:10,000 Here you go. 135 00:08:10,000 --> 00:08:12,000 Cav looks at them like. 136 00:08:12,000 --> 00:08:14,000 It's just, it's just tea. 137 00:08:14,000 --> 00:08:16,000 It's okay. 138 00:08:16,000 --> 00:08:17,000 Cross our hearts. 139 00:08:17,000 --> 00:08:18,000 You'll find it. 140 00:08:18,000 --> 00:08:19,000 Nothing funny. 141 00:08:19,000 --> 00:08:21,000 Cav is allergic to tea. 142 00:08:21,000 --> 00:08:23,000 He just burnt his tongue real bad. 143 00:08:23,000 --> 00:08:24,000 Oh, I'm so sorry. 144 00:08:24,000 --> 00:08:25,000 We do have. 145 00:08:25,000 --> 00:08:26,000 We have something for that. 146 00:08:26,000 --> 00:08:27,000 We have a cell. 147 00:08:27,000 --> 00:08:29,000 We do, don't we, sister? 148 00:08:29,000 --> 00:08:32,000 Oh, well, we'll talk more about that in a bit. 149 00:08:32,000 --> 00:08:35,000 Maybe something he could gargle with, sister. 150 00:08:35,000 --> 00:08:38,000 Yes, I'm thinking of the blue one in the back. 151 00:08:38,000 --> 00:08:41,000 That would probably be really good for you. 152 00:08:41,000 --> 00:08:45,000 If you have any canker sores, it'll clear that right up as well. 153 00:08:45,000 --> 00:08:47,000 Okay, noted on that. 154 00:08:47,000 --> 00:08:48,000 What's this one for? 155 00:08:48,000 --> 00:08:53,000 And he holds out like the empty, empty potion container. 156 00:08:53,000 --> 00:08:55,000 May I? 157 00:08:55,000 --> 00:08:57,000 Absolutely. 158 00:08:57,000 --> 00:09:02,000 Um, Ursula Minor takes it and takes the cork off and... 159 00:09:05,000 --> 00:09:06,000 Smell that, sister. 160 00:09:06,000 --> 00:09:07,000 What do you think? 161 00:09:07,000 --> 00:09:10,000 Ooh. 162 00:09:10,000 --> 00:09:14,000 Sister, you know what this one is. 163 00:09:14,000 --> 00:09:17,000 Yes, but why didn't we label it? 164 00:09:17,000 --> 00:09:19,000 Yes, that isn't like us. 165 00:09:19,000 --> 00:09:23,000 As you can see, we do like a label. 166 00:09:23,000 --> 00:09:24,000 Here, we do like everything. 167 00:09:24,000 --> 00:09:25,000 Yeah. 168 00:09:25,000 --> 00:09:30,000 So, I mean, I guess maybe it just got taken off. 169 00:09:30,000 --> 00:09:31,000 I don't know why. 170 00:09:31,000 --> 00:09:35,000 Where did this particular bottle come from? 171 00:09:35,000 --> 00:09:40,000 Well, my coworker, a friend, Oak. 172 00:09:40,000 --> 00:09:46,000 I don't know if you know Oak, but he didn't show up for work today. 173 00:09:46,000 --> 00:09:48,000 So I'm trying to track him down. 174 00:09:48,000 --> 00:09:52,000 Oh, his mother must be beside herself. 175 00:09:52,000 --> 00:09:55,000 Oh, sister, we should drop by later with some oolong, 176 00:09:55,000 --> 00:09:59,000 because she'll be quite upset if Oak isn't home by then. 177 00:09:59,000 --> 00:10:00,000 That's not like him. 178 00:10:00,000 --> 00:10:04,000 When he's not home by 6 p.m., she gets quite in a tizzy. 179 00:10:04,000 --> 00:10:07,000 He's very responsible. 180 00:10:07,000 --> 00:10:09,000 But also, a picker. 181 00:10:09,000 --> 00:10:11,000 That's how that label came off. 182 00:10:11,000 --> 00:10:12,000 I knew I labeled it, sister. 183 00:10:12,000 --> 00:10:16,000 I knew I did. 184 00:10:16,000 --> 00:10:17,000 What does the potion do? 185 00:10:17,000 --> 00:10:20,000 You didn't actually say. 186 00:10:20,000 --> 00:10:25,000 When I smell this, sister, I'm getting mint. 187 00:10:25,000 --> 00:10:26,000 Yes, definitely mint. 188 00:10:26,000 --> 00:10:32,000 And some, oh, goodness, chamomile. 189 00:10:32,000 --> 00:10:33,000 A little bit. 190 00:10:33,000 --> 00:10:34,000 Licorice. 191 00:10:34,000 --> 00:10:35,000 Licorice root. 192 00:10:35,000 --> 00:10:36,000 Yes. 193 00:10:36,000 --> 00:10:41,000 And slippery elm. 194 00:10:41,000 --> 00:10:42,000 My goodness. 195 00:10:42,000 --> 00:10:43,000 This is our breath freshener. 196 00:10:43,000 --> 00:10:45,000 This is just... 197 00:10:45,000 --> 00:10:46,000 I don't know why. 198 00:10:46,000 --> 00:10:47,000 It took a minute. 199 00:10:47,000 --> 00:10:48,000 I know. 200 00:10:48,000 --> 00:10:50,000 I guess I'm used to smelling it sort of more concentrated 201 00:10:50,000 --> 00:10:51,000 when we're making it. 202 00:10:51,000 --> 00:10:56,000 But it just sort of soothes the throat a little bit 203 00:10:56,000 --> 00:10:58,000 and freshens the breath. 204 00:10:58,000 --> 00:11:00,000 It's one of our best sellers. 205 00:11:00,000 --> 00:11:01,000 I don't want to give too much information 206 00:11:01,000 --> 00:11:03,000 about a different client, customer. 207 00:11:03,000 --> 00:11:09,000 But a little bit of halitosis has been a complaint of Oak's. 208 00:11:09,000 --> 00:11:12,000 And if you haven't noticed, then, my goodness, sister, 209 00:11:12,000 --> 00:11:14,000 our job is done. 210 00:11:14,000 --> 00:11:15,000 Well, I really haven't. 211 00:11:15,000 --> 00:11:18,000 And, you know, we share a desk a lot of the times 212 00:11:18,000 --> 00:11:19,000 when we're at work. 213 00:11:19,000 --> 00:11:20,000 And so I would have noticed. 214 00:11:20,000 --> 00:11:22,000 That's why it's one of our best sellers. 215 00:11:22,000 --> 00:11:24,000 This is why we don't advertise, sister. 216 00:11:24,000 --> 00:11:25,000 Word of mouth. 217 00:11:25,000 --> 00:11:28,000 We don't need to advertise, sister. 218 00:11:28,000 --> 00:11:31,000 May I say something a little bit rude, 219 00:11:31,000 --> 00:11:37,000 but consider it sort of I feel a professional obligation? 220 00:11:37,000 --> 00:11:40,000 Oh, OK, sure. 221 00:11:40,000 --> 00:11:43,000 It a little bit smells like a brewery 222 00:11:43,000 --> 00:11:45,000 when the two of you entered. 223 00:11:45,000 --> 00:11:47,000 I smelled the same thing. 224 00:11:47,000 --> 00:11:49,000 I wasn't going to be quite as brash as my sister, 225 00:11:49,000 --> 00:11:51,000 but you've always been the more outgoing one. 226 00:11:51,000 --> 00:11:53,000 We were talking about the breath freshener, 227 00:11:53,000 --> 00:11:55,000 and you seem very nice. 228 00:11:55,000 --> 00:11:57,000 And it's like when you have something in your tooth 229 00:11:57,000 --> 00:11:59,000 and then you go and look in a mirror 230 00:11:59,000 --> 00:12:01,000 after you've been talking to someone for an hour 231 00:12:01,000 --> 00:12:02,000 and they didn't say anything. 232 00:12:02,000 --> 00:12:05,000 Heavens think you went into work smelling like this. 233 00:12:05,000 --> 00:12:06,000 Oh, exactly. 234 00:12:06,000 --> 00:12:10,000 You didn't go to Oak's mother. 235 00:12:10,000 --> 00:12:11,000 Did? 236 00:12:11,000 --> 00:12:12,000 Oh, sister, they did. 237 00:12:12,000 --> 00:12:13,000 Yeah. 238 00:12:13,000 --> 00:12:14,000 Oh, they did. 239 00:12:14,000 --> 00:12:16,000 That's where it burned his tongue. 240 00:12:16,000 --> 00:12:17,000 We're going to have to leave. 241 00:12:17,000 --> 00:12:19,000 We're going to have to leave for lunch early. 242 00:12:19,000 --> 00:12:20,000 We're going to have to make that physical. 243 00:12:20,000 --> 00:12:21,000 We'll pop over. 244 00:12:21,000 --> 00:12:24,000 We'll smooth it all over till I'll be OK. 245 00:12:24,000 --> 00:12:25,000 It'll be fine. 246 00:12:25,000 --> 00:12:32,000 So do you know when was Oak here last? 247 00:12:32,000 --> 00:12:33,000 Like recently? 248 00:12:33,000 --> 00:12:34,000 Here's the thing. 249 00:12:34,000 --> 00:12:37,000 We're trying to find Oak. 250 00:12:37,000 --> 00:12:38,000 Oh. 251 00:12:38,000 --> 00:12:41,000 And we lost him smelling like this. 252 00:12:41,000 --> 00:12:42,000 Yeah. 253 00:12:42,000 --> 00:12:43,000 Yeah. 254 00:12:43,000 --> 00:12:45,000 It was a rough night last night. 255 00:12:45,000 --> 00:12:47,000 He's got some paperwork that we need. 256 00:12:47,000 --> 00:12:50,000 A night of frivolity for Oak? 257 00:12:50,000 --> 00:12:51,000 How unusual. 258 00:12:51,000 --> 00:12:52,000 Let me check our ledger. 259 00:12:52,000 --> 00:12:53,000 Yes. 260 00:12:53,000 --> 00:12:55,000 She bustles to the back and opens up a big book. 261 00:12:55,000 --> 00:12:59,000 I feel like, sister, let's play a little game. 262 00:12:59,000 --> 00:13:04,000 You look and my guess is I think he popped in here 263 00:13:04,000 --> 00:13:08,000 yesterday morning and he was very excited 264 00:13:08,000 --> 00:13:11,000 because he said something about Boy's Night. 265 00:13:11,000 --> 00:13:14,000 And he wanted to make sure he had his breath freshener 266 00:13:14,000 --> 00:13:16,000 because he didn't want to be embarrassed. 267 00:13:16,000 --> 00:13:18,000 And that's... 268 00:13:18,000 --> 00:13:20,000 How did I do, sister? 269 00:13:20,000 --> 00:13:21,000 Did I remember? 270 00:13:21,000 --> 00:13:23,000 Impeccable memory, sister. 271 00:13:23,000 --> 00:13:24,000 Impeccable memory. 272 00:13:24,000 --> 00:13:27,000 That's exactly the last time we saw him. 273 00:13:27,000 --> 00:13:28,000 Yeah. 274 00:13:28,000 --> 00:13:29,000 So he was here yesterday morning. 275 00:13:29,000 --> 00:13:30,000 Before Boy's Night. 276 00:13:30,000 --> 00:13:33,000 So the second potion that's still full, 277 00:13:33,000 --> 00:13:35,000 that's just more breath freshener? 278 00:13:35,000 --> 00:13:38,000 And he pulls it out of the bag and presents it. 279 00:13:38,000 --> 00:13:40,000 Hmm. 280 00:13:40,000 --> 00:13:43,000 Well, you know, because the breath freshener 281 00:13:43,000 --> 00:13:47,000 you see here in the display is sort of a green, 282 00:13:47,000 --> 00:13:49,000 fresh, meaty kind of color. 283 00:13:49,000 --> 00:13:54,000 And this looks sort of more iridescent. 284 00:13:54,000 --> 00:13:55,000 Yeah. 285 00:13:55,000 --> 00:13:56,000 Is it bad? 286 00:13:56,000 --> 00:13:57,000 That's what I said too. 287 00:13:57,000 --> 00:13:59,000 It's very iridescent. 288 00:13:59,000 --> 00:14:00,000 Yeah. 289 00:14:00,000 --> 00:14:01,000 Yeah. 290 00:14:01,000 --> 00:14:03,000 So what does this one do? 291 00:14:03,000 --> 00:14:04,000 May I? 292 00:14:04,000 --> 00:14:06,000 Bench takes a sip of the oolong. 293 00:14:06,000 --> 00:14:07,000 Uh, yeah, yeah. 294 00:14:07,000 --> 00:14:08,000 Here you go. 295 00:14:08,000 --> 00:14:09,000 By all means. 296 00:14:09,000 --> 00:14:11,000 And I uncork it. 297 00:14:11,000 --> 00:14:14,000 Oh. 298 00:14:14,000 --> 00:14:17,000 Sister. 299 00:14:17,000 --> 00:14:18,000 Oh. 300 00:14:18,000 --> 00:14:20,000 Um. 301 00:14:20,000 --> 00:14:23,000 I think... 302 00:14:23,000 --> 00:14:25,000 Sister, correct me if I'm wrong. 303 00:14:25,000 --> 00:14:30,000 I think that this is maybe, um, 304 00:14:30,000 --> 00:14:34,000 for a special someone from Oak. 305 00:14:34,000 --> 00:14:38,000 I do believe I'm thinking the same thing. 306 00:14:38,000 --> 00:14:41,000 I don't want to say too much, you see. 307 00:14:41,000 --> 00:14:43,000 It's personal. 308 00:14:43,000 --> 00:14:45,000 It's personal. 309 00:14:45,000 --> 00:14:46,000 Very personal. 310 00:14:46,000 --> 00:14:48,000 Yes, but I don't... 311 00:14:48,000 --> 00:14:50,000 Bench turns the cab. 312 00:14:50,000 --> 00:14:52,000 I don't know what they're talking about. 313 00:14:52,000 --> 00:14:53,000 I don't know either. 314 00:14:53,000 --> 00:14:54,000 It's a special someone. 315 00:14:54,000 --> 00:14:56,000 It seems very personal. 316 00:14:56,000 --> 00:14:58,000 I bought it before... 317 00:14:58,000 --> 00:15:01,000 Did he buy this one before Boy's Night Two? 318 00:15:01,000 --> 00:15:02,000 Oh, um... 319 00:15:02,000 --> 00:15:03,000 Let me look back. 320 00:15:03,000 --> 00:15:04,000 No, I think... 321 00:15:04,000 --> 00:15:06,000 Just a mouth freshener. 322 00:15:06,000 --> 00:15:07,000 Just a mouth freshener. 323 00:15:07,000 --> 00:15:08,000 I think, um... 324 00:15:08,000 --> 00:15:09,000 Okay, okay. 325 00:15:09,000 --> 00:15:10,000 This was... 326 00:15:10,000 --> 00:15:11,000 We... 327 00:15:11,000 --> 00:15:12,000 He bought this from us... 328 00:15:12,000 --> 00:15:13,000 Oh. 329 00:15:13,000 --> 00:15:14,000 Three weeks ago. 330 00:15:14,000 --> 00:15:15,000 Mm-hmm. 331 00:15:15,000 --> 00:15:16,000 Mm-hmm. 332 00:15:16,000 --> 00:15:20,000 He's been hanging on to it for this long, Sister. 333 00:15:20,000 --> 00:15:22,000 Interesting, interesting. 334 00:15:22,000 --> 00:15:23,000 It is. 335 00:15:23,000 --> 00:15:24,000 I mean... 336 00:15:24,000 --> 00:15:27,000 I mean, you're playing a dangerous game with this one. 337 00:15:27,000 --> 00:15:32,000 So you want to be careful, don't you, Sister, before you share it with a special someone. 338 00:15:32,000 --> 00:15:33,000 What is... 339 00:15:33,000 --> 00:15:34,000 Spe... 340 00:15:34,000 --> 00:15:36,000 What is special? 341 00:15:36,000 --> 00:15:38,000 Help Bench out. 342 00:15:38,000 --> 00:15:40,000 What is special? 343 00:15:40,000 --> 00:15:42,000 Bench, I think it's like a love potion. 344 00:15:42,000 --> 00:15:43,000 Yeah. 345 00:15:43,000 --> 00:15:44,000 What? 346 00:15:44,000 --> 00:15:45,000 Thank you. 347 00:15:45,000 --> 00:15:46,000 I mean... 348 00:15:46,000 --> 00:15:47,000 That layman's terms. 349 00:15:47,000 --> 00:15:50,000 People are forping and then love potions. 350 00:15:50,000 --> 00:15:51,000 Oh. 351 00:15:51,000 --> 00:15:52,000 Oh. 352 00:15:52,000 --> 00:15:53,000 Bench. 353 00:15:53,000 --> 00:15:54,000 Sorry, I just found out. 354 00:15:54,000 --> 00:15:55,000 No, Bench. 355 00:15:55,000 --> 00:15:56,000 Sorry. 356 00:15:56,000 --> 00:15:57,000 We don't... 357 00:15:57,000 --> 00:15:58,000 Oh. 358 00:15:58,000 --> 00:15:59,000 No. 359 00:15:59,000 --> 00:16:00,000 Oh, Sister, you're okay. 360 00:16:00,000 --> 00:16:01,000 Don't... 361 00:16:01,000 --> 00:16:02,000 It's fine. 362 00:16:02,000 --> 00:16:03,000 You know, how it upset me. 363 00:16:03,000 --> 00:16:04,000 I'm sure. 364 00:16:04,000 --> 00:16:05,000 I'm sure it didn't mean to. 365 00:16:05,000 --> 00:16:06,000 Um, yes. 366 00:16:06,000 --> 00:16:09,000 So, yes, in layman's terms, a love potion. 367 00:16:09,000 --> 00:16:14,000 But of course, I mean, you can't make someone fall in love with you from a potion. 368 00:16:14,000 --> 00:16:16,000 It would be irresponsible of us. 369 00:16:16,000 --> 00:16:18,000 It would be very irresponsible. 370 00:16:18,000 --> 00:16:19,000 The control. 371 00:16:19,000 --> 00:16:25,000 If you have feelings for someone and they also have feelings for you, but maybe... 372 00:16:25,000 --> 00:16:26,000 For whatever reason. 373 00:16:26,000 --> 00:16:27,000 Hidden. 374 00:16:27,000 --> 00:16:29,000 You find it difficult to sort of make the first step. 375 00:16:29,000 --> 00:16:30,000 You're shy or something. 376 00:16:30,000 --> 00:16:31,000 It just... 377 00:16:31,000 --> 00:16:32,000 Enhances. 378 00:16:32,000 --> 00:16:33,000 Enhances. 379 00:16:33,000 --> 00:16:34,000 Existing feelings. 380 00:16:34,000 --> 00:16:39,000 Existing feelings and lowers inhibitions. 381 00:16:39,000 --> 00:16:40,000 Just a little. 382 00:16:40,000 --> 00:16:42,000 Just sort of verbal inhibitions. 383 00:16:42,000 --> 00:16:45,000 Enough to allow the flow of conversation. 384 00:16:45,000 --> 00:16:46,000 Exactly. 385 00:16:46,000 --> 00:16:49,000 And let one thing lead to another, if you know what we're saying. 386 00:16:49,000 --> 00:16:50,000 Yes. 387 00:16:50,000 --> 00:16:55,000 Wait, Oak drinks this and then Oak feels confident. 388 00:16:55,000 --> 00:16:58,000 Well, Oak has some. 389 00:16:58,000 --> 00:16:59,000 Well, Oak has some. 390 00:16:59,000 --> 00:17:00,000 Drink it on their own. 391 00:17:00,000 --> 00:17:01,000 Oh. 392 00:17:01,000 --> 00:17:02,000 Yeah. 393 00:17:02,000 --> 00:17:03,000 Splitsies. 394 00:17:03,000 --> 00:17:08,000 Oak and his beloved. 395 00:17:08,000 --> 00:17:10,000 Or hope to be beloved. 396 00:17:10,000 --> 00:17:11,000 Hope to be beloved. 397 00:17:11,000 --> 00:17:12,000 Hold on. 398 00:17:12,000 --> 00:17:13,000 Does Oak have a beloved? 399 00:17:13,000 --> 00:17:17,000 He has a shrine, but does he have a beloved? 400 00:17:17,000 --> 00:17:22,000 This look of flicker of recognition goes through Cab's eyes. 401 00:17:22,000 --> 00:17:29,000 He says, I've been here about three weeks. 402 00:17:29,000 --> 00:17:31,000 And he kind of looks down at the potion. 403 00:17:31,000 --> 00:17:32,000 Okay. 404 00:17:32,000 --> 00:17:39,000 Looks back up at Bench and is like, I think this is for me. 405 00:17:39,000 --> 00:17:43,000 I would just like to say, we do not ask those kinds of personal questions. 406 00:17:43,000 --> 00:17:44,000 No. 407 00:17:44,000 --> 00:17:50,000 If there is no spark between the two and the feelings are not reciprocated, 408 00:17:50,000 --> 00:17:52,000 nothing will happen. 409 00:17:52,000 --> 00:17:53,000 Nothing happens. 410 00:17:53,000 --> 00:17:55,000 This is why you take it together. 411 00:17:55,000 --> 00:17:58,000 And if it enhances, it enhances. 412 00:17:58,000 --> 00:18:03,000 If there's nothing to enhance, everybody goes about their day. 413 00:18:03,000 --> 00:18:04,000 Okay. 414 00:18:04,000 --> 00:18:09,000 Well, I'll just, I guess, tuck this back in the bag and keep it safe for them. 415 00:18:09,000 --> 00:18:12,000 Allow me to go get another label, if you will. 416 00:18:12,000 --> 00:18:13,000 Oh, sure. 417 00:18:13,000 --> 00:18:19,000 We would feel more comfortable if everything was labeled quite meticulously. 418 00:18:19,000 --> 00:18:25,000 And Ursula Minor bustles into the back and is creating a label. 419 00:18:25,000 --> 00:18:28,000 When you're coming home, Oak, I don't know when. 420 00:18:28,000 --> 00:18:35,000 We might ask about this potion, but first we'll visit the middle again. 421 00:18:35,000 --> 00:18:36,000 Hey, friends. 422 00:18:36,000 --> 00:18:37,000 Thanks for being here. 423 00:18:37,000 --> 00:18:39,000 Smack dab in the middle. 424 00:18:39,000 --> 00:18:40,000 Right in the middle. 425 00:18:40,000 --> 00:18:42,000 Is it right in the middle? 426 00:18:42,000 --> 00:18:44,000 Maybe not right in the middle. 427 00:18:44,000 --> 00:18:46,000 It shifts a little bit. 428 00:18:46,000 --> 00:18:49,000 We don't like time it and do a hard cut. 429 00:18:49,000 --> 00:18:50,000 That's right. 430 00:18:50,000 --> 00:18:52,000 Right in the middle of sentences. 431 00:18:52,000 --> 00:18:54,000 And I'm going to roll. 432 00:18:54,000 --> 00:18:56,000 It's time for the middle. 433 00:18:56,000 --> 00:18:58,000 Two of those things were unbelievable. 434 00:18:58,000 --> 00:18:59,000 Cutting in the middle of sentences. 435 00:18:59,000 --> 00:19:01,000 And us rolling? 436 00:19:01,000 --> 00:19:02,000 Yeah. 437 00:19:02,000 --> 00:19:04,000 We'll get there. 438 00:19:04,000 --> 00:19:06,000 Amy does some rolling. 439 00:19:06,000 --> 00:19:07,000 Tom and I know so much. 440 00:19:07,000 --> 00:19:11,000 It doesn't go that well, but if you're in a box or out of a box, 441 00:19:11,000 --> 00:19:14,000 It's all box related. 442 00:19:14,000 --> 00:19:16,000 Hey, thanks for being here. 443 00:19:16,000 --> 00:19:17,000 We really appreciate you. 444 00:19:17,000 --> 00:19:22,000 And we want to say that this episode is dedicated to one of our lovely patrons, 445 00:19:22,000 --> 00:19:24,000 because that's what we do here. 446 00:19:24,000 --> 00:19:28,000 And today's episode is dedicated to Wyatt Bartlett. 447 00:19:28,000 --> 00:19:30,000 Thanks, Wyatt. 448 00:19:30,000 --> 00:19:32,000 Thanks so much, Wyatt. 449 00:19:32,000 --> 00:19:35,000 Wyatt Bartlett sounds like a sheriff from the old west. 450 00:19:35,000 --> 00:19:38,000 Or just like a very cool person. 451 00:19:39,000 --> 00:19:41,000 Like Wyatt is a cool guy name. 452 00:19:41,000 --> 00:19:42,000 Yeah, that's what I said. 453 00:19:42,000 --> 00:19:44,000 Agreed. 454 00:19:44,000 --> 00:19:45,000 You're right. 455 00:19:45,000 --> 00:19:46,000 I'm sorry. 456 00:19:46,000 --> 00:19:47,000 Our sheriff's not cool. 457 00:19:47,000 --> 00:19:49,000 Tom is just finding it now. 458 00:19:49,000 --> 00:19:53,000 I'm not really into cops, so I thought maybe, but you know, maybe. 459 00:19:53,000 --> 00:19:54,000 Okay, yeah. 460 00:19:54,000 --> 00:19:58,000 Tom just outed himself as a narc. 461 00:19:58,000 --> 00:20:03,000 Tom just has all of the old Clint Eastwood westerns on repeat at his desk every single day. 462 00:20:03,000 --> 00:20:04,000 That's right. 463 00:20:04,000 --> 00:20:05,000 Yep. 464 00:20:05,000 --> 00:20:06,000 That's the way to do it. 465 00:20:06,000 --> 00:20:07,000 Thank you, Wyatt. 466 00:20:07,000 --> 00:20:10,000 If you want to join us on Patreon, you can do so at patreon.com slash dumb dragon cast. 467 00:20:10,000 --> 00:20:12,000 And there's a whole bunch of great things over there. 468 00:20:12,000 --> 00:20:14,000 We talk about them all the time. 469 00:20:14,000 --> 00:20:15,000 It's true. 470 00:20:15,000 --> 00:20:16,000 We talk about ourselves all the time. 471 00:20:16,000 --> 00:20:17,000 All the time. 472 00:20:17,000 --> 00:20:18,000 We won't shut up about us. 473 00:20:18,000 --> 00:20:19,000 That's right. 474 00:20:19,000 --> 00:20:24,000 I mean, most importantly is you can come test it with a seven day free trial. 475 00:20:24,000 --> 00:20:26,000 So there's that. 476 00:20:26,000 --> 00:20:30,000 And what else do we have going on that we want to tell people about? 477 00:20:30,000 --> 00:20:31,000 Book club. 478 00:20:31,000 --> 00:20:32,000 Book club. 479 00:20:32,000 --> 00:20:33,000 Let's talk about book club. 480 00:20:33,000 --> 00:20:34,000 Yes, book club. 481 00:20:34,000 --> 00:20:36,000 We will be meeting in March. 482 00:20:36,000 --> 00:20:41,000 The book is Snake-Filled Earth by Darcy Little Badger. 483 00:20:41,000 --> 00:20:44,000 So read it, listen to it, do whatever you want. 484 00:20:44,000 --> 00:20:48,000 I'm about a third of the way through and it's very fun so far. 485 00:20:48,000 --> 00:20:49,000 Yeah. 486 00:20:49,000 --> 00:20:51,000 I really loved one of her other books that I read. 487 00:20:51,000 --> 00:20:54,000 So it's going to be a great discussion with some like real dope folks. 488 00:20:54,000 --> 00:20:56,000 So join us. 489 00:20:56,000 --> 00:20:58,000 If you only read half the book, that's okay too. 490 00:20:58,000 --> 00:20:59,000 That's okay. 491 00:20:59,000 --> 00:21:01,000 Or just the jacket cover. 492 00:21:01,000 --> 00:21:02,000 Like that's all right too. 493 00:21:02,000 --> 00:21:03,000 We don't judge. 494 00:21:03,000 --> 00:21:06,000 Maybe at the end of the conversation you'll be like all jazzed to go read it. 495 00:21:06,000 --> 00:21:13,000 I read the first sentence and the last sentence and then fill in the gaps between with my own narrative. 496 00:21:13,000 --> 00:21:14,000 Love it. 497 00:21:14,000 --> 00:21:15,000 Yeah, but he does that alone. 498 00:21:15,000 --> 00:21:17,000 Russ doesn't come to book club. 499 00:21:17,000 --> 00:21:23,000 So if you're looking to get away from Russ, if you're tired of Russ, come on over to book club. 500 00:21:23,000 --> 00:21:26,000 I'll go to the other room here just a second. 501 00:21:26,000 --> 00:21:29,000 But yes, join us at patreon.com slash dumb dragon cast. 502 00:21:29,000 --> 00:21:32,000 Everybody who joins over there gets to come to book club. 503 00:21:32,000 --> 00:21:33,000 If you read. 504 00:21:33,000 --> 00:21:34,000 Yeah, if they want. 505 00:21:34,000 --> 00:21:36,000 Even if you don't read, if you listen to those audiobooks. 506 00:21:36,000 --> 00:21:38,000 You can come regardless. 507 00:21:38,000 --> 00:21:39,000 Nope. 508 00:21:39,000 --> 00:21:40,000 We hope you enjoy the rest of this. 509 00:21:40,000 --> 00:21:42,000 Let's stop gatekeeping the rest of the episode. 510 00:21:42,000 --> 00:21:44,000 No, we're just going to slowly drag it out. 511 00:21:44,000 --> 00:21:45,000 Stuff what we're doing? 512 00:21:45,000 --> 00:21:46,000 Oh god, I feel gross. 513 00:21:46,000 --> 00:21:49,000 We're holding everyone hostage like listen to us. 514 00:21:49,000 --> 00:21:53,000 I need to know how this sentence ends that we cut in the middle of so if we could just get back. 515 00:21:53,000 --> 00:21:54,000 That's probably a good idea. 516 00:21:54,000 --> 00:21:55,000 Let's do it. 517 00:21:55,000 --> 00:21:56,000 Okay. 518 00:21:56,000 --> 00:21:57,000 Thanks friends. 519 00:21:57,000 --> 00:21:58,000 Love you guys. 520 00:21:58,000 --> 00:21:59,000 Bye. 521 00:22:02,000 --> 00:22:12,000 We cut back to the stables and Alydin and you and Tally are back down in the storage 522 00:22:12,000 --> 00:22:16,000 cellar standing at the mouth of the tunnel. 523 00:22:16,000 --> 00:22:18,000 So we found the tunnels. 524 00:22:18,000 --> 00:22:20,000 Now what do we do with them? 525 00:22:20,000 --> 00:22:22,000 Like do we go in? 526 00:22:22,000 --> 00:22:24,000 Do we have a light? 527 00:22:24,000 --> 00:22:26,000 What if it gets really dark in there? 528 00:22:26,000 --> 00:22:28,000 What if we can't? 529 00:22:28,000 --> 00:22:31,000 What if it turns a corner and we can't find our way back out? 530 00:22:31,000 --> 00:22:36,000 What if what if we're stuck in a tunnel until the end of time? 531 00:22:36,000 --> 00:22:42,000 What if these tunnels are the reason they covered them up because they're too powerful? 532 00:22:42,000 --> 00:22:44,000 Tally. 533 00:22:44,000 --> 00:22:45,000 Alydin. 534 00:22:45,000 --> 00:22:46,000 Take a breath. 535 00:22:46,000 --> 00:22:50,000 These are holes in the ground. 536 00:22:50,000 --> 00:22:51,000 Yeah. 537 00:22:51,000 --> 00:22:53,000 I have candles in my bucket. 538 00:22:53,000 --> 00:22:54,000 Okay. 539 00:22:54,000 --> 00:22:55,000 You do not need to come with me. 540 00:22:55,000 --> 00:22:59,000 Well I don't want you to get lost in there but like. 541 00:22:59,000 --> 00:23:00,000 It's true. 542 00:23:00,000 --> 00:23:03,000 Your directionality is impeccable. 543 00:23:03,000 --> 00:23:07,000 When you say go left, I go left. 544 00:23:07,000 --> 00:23:09,000 She holds out her hand. 545 00:23:09,000 --> 00:23:13,000 When you say go right, I go right and she holds out her hand. 546 00:23:13,000 --> 00:23:14,000 That's okay. 547 00:23:14,000 --> 00:23:16,000 Put your hands down, Tally. 548 00:23:16,000 --> 00:23:19,000 Do you want to go in? 549 00:23:19,000 --> 00:23:20,000 This is not a thing. 550 00:23:20,000 --> 00:23:22,000 It's not time to be brave, Tally. 551 00:23:22,000 --> 00:23:24,000 This is a recon mission. 552 00:23:24,000 --> 00:23:27,000 We're just going in and we're going to see what it's all about. 553 00:23:27,000 --> 00:23:28,000 Okay. 554 00:23:28,000 --> 00:23:36,000 And then we have the information because information we can use and if we want to, we 555 00:23:36,000 --> 00:23:44,000 could take it to Kenny and Kenny's men and then maybe or somebody else. 556 00:23:44,000 --> 00:23:47,000 Because Kenny's kind of scary. 557 00:23:47,000 --> 00:23:49,000 Alydin's just staring at her. 558 00:23:49,000 --> 00:23:53,000 It's a whole lot of thoughts for one little head. 559 00:23:53,000 --> 00:23:56,000 These tunnels have opened a world of danger. 560 00:23:57,000 --> 00:24:01,000 If we boarded them back up, they would still just be sitting here. 561 00:24:01,000 --> 00:24:07,000 That would be like having, that would be like having a bunch of butter and not putting 562 00:24:07,000 --> 00:24:08,000 it on your bread. 563 00:24:08,000 --> 00:24:09,000 Butter? 564 00:24:09,000 --> 00:24:16,000 So, okay, so, okay, let's do it. 565 00:24:16,000 --> 00:24:18,000 Let's ride these butter tunnels. 566 00:24:18,000 --> 00:24:22,000 Oh, let us never say that again. 567 00:24:23,000 --> 00:24:26,000 Ride the butter tunnels is not the name of the episode. 568 00:24:26,000 --> 00:24:27,000 It is, though. 569 00:24:27,000 --> 00:24:30,000 No, thank you. 570 00:24:30,000 --> 00:24:40,000 And on that horrifically graphic note, Alydin lights one of her candles. 571 00:24:40,000 --> 00:24:41,000 Stay behind me. 572 00:24:41,000 --> 00:24:42,000 Okay. 573 00:24:42,000 --> 00:24:43,000 And if I say run, you got to run. 574 00:24:43,000 --> 00:24:44,000 Which way? 575 00:24:44,000 --> 00:24:45,000 Back. 576 00:24:45,000 --> 00:24:46,000 Back. 577 00:24:46,000 --> 00:24:47,000 Okay. 578 00:24:47,000 --> 00:24:48,000 Good. 579 00:24:48,000 --> 00:24:49,000 Good to know. 580 00:24:49,000 --> 00:24:50,000 Run forward. 581 00:24:50,000 --> 00:24:51,000 Someone tells you to run. 582 00:24:51,000 --> 00:24:54,000 Well, maybe there's something behind us and then we should run forward. 583 00:24:54,000 --> 00:24:55,000 You know what, though? 584 00:24:55,000 --> 00:24:57,000 I think in the moment you're going to know. 585 00:24:57,000 --> 00:24:58,000 I'm going to know. 586 00:24:58,000 --> 00:24:59,000 I think so. 587 00:24:59,000 --> 00:25:00,000 All right, let's do it. 588 00:25:00,000 --> 00:25:01,000 All right. 589 00:25:01,000 --> 00:25:04,000 We venture forth into the tunnel by candlelight. 590 00:25:04,000 --> 00:25:06,000 All right. 591 00:25:06,000 --> 00:25:14,000 You take a few steps forward and the opening of the tunnels begins to narrow a little 592 00:25:14,000 --> 00:25:15,000 bit. 593 00:25:15,000 --> 00:25:22,000 You're able to crouch and still make your way walking through these tunnels. 594 00:25:22,000 --> 00:25:32,000 This might be a silly question, but it's more for the feel of the character. 595 00:25:32,000 --> 00:25:40,000 How is your directionality of the city based on where you are entering these tunnels? 596 00:25:40,000 --> 00:25:42,000 I think... 597 00:25:42,000 --> 00:25:45,000 Or we could roll and we could play the game. 598 00:25:45,000 --> 00:25:47,000 But, like, your call. 599 00:25:47,000 --> 00:25:53,000 Well, I think just based on the amount of time that Alydin has spent exploring the 600 00:25:53,000 --> 00:26:00,000 city, it would make sense that I think at any given point she knows where she's 601 00:26:00,000 --> 00:26:01,000 at. 602 00:26:01,000 --> 00:26:04,000 I can roll on it, though, because maybe I'm nervous. 603 00:26:04,000 --> 00:26:05,000 Sure. 604 00:26:05,000 --> 00:26:07,000 Let's play a game. 605 00:26:07,000 --> 00:26:09,000 Do you want to play a game? 606 00:26:09,000 --> 00:26:11,000 All right, jigsaw. 607 00:26:11,000 --> 00:26:13,000 I'm just over here being my creepy self. 608 00:26:13,000 --> 00:26:14,000 It is dangerous. 609 00:26:14,000 --> 00:26:16,000 She's just said she should know. 610 00:26:16,000 --> 00:26:19,000 Less intimidating when jigsaw's wearing an Ooty, though. 611 00:26:19,000 --> 00:26:20,000 Yes. 612 00:26:20,000 --> 00:26:21,000 Covered in plants. 613 00:26:21,000 --> 00:26:22,000 All right. 614 00:26:22,000 --> 00:26:23,000 Saw 20. 615 00:26:23,000 --> 00:26:26,000 Not as scary as you think it's going to be. 616 00:26:26,000 --> 00:26:28,000 Would this be survival? 617 00:26:28,000 --> 00:26:29,000 Survival? 618 00:26:29,000 --> 00:26:30,000 Yes. 619 00:26:30,000 --> 00:26:31,000 Okay. 620 00:26:31,000 --> 00:26:32,000 16. 621 00:26:32,000 --> 00:26:33,000 Okay. 622 00:26:33,000 --> 00:26:38,000 We'll say, yeah, at least for the first little while you have a fairly good 623 00:26:38,000 --> 00:26:40,000 sense of which direction you're going. 624 00:26:40,000 --> 00:26:47,000 You're heading in the direction of the unnamed forest, which is more towards more 625 00:26:47,000 --> 00:26:52,000 towards where you know Kinney's hideout to be. 626 00:26:52,000 --> 00:26:54,000 It quickly forks, though. 627 00:26:54,000 --> 00:27:00,000 You have a choice to make and you can go either north or south. 628 00:27:00,000 --> 00:27:06,000 You take a look down both, shine your light, take a few steps down, and the 629 00:27:06,000 --> 00:27:09,000 one to the left begins to turn back towards the city. 630 00:27:09,000 --> 00:27:14,000 The one to the right continues further north, which as far as you know, because 631 00:27:14,000 --> 00:27:21,000 you haven't ventured out that far, just leads deeper within the forest itself. 632 00:27:21,000 --> 00:27:28,000 Alydin stops and is doing like mental map math. 633 00:27:28,000 --> 00:27:35,000 And it's like, all right, I'm standing here and that one goes this way. 634 00:27:35,000 --> 00:27:38,000 And the forest is that way. 635 00:27:38,000 --> 00:27:44,000 And then, but this, and this one curves back around and she's like turning 636 00:27:44,000 --> 00:27:46,000 around and she's like looking at stuff. 637 00:27:46,000 --> 00:27:47,000 Is everything okay? 638 00:27:47,000 --> 00:27:49,000 Callie, stop breathing so loud. 639 00:27:49,000 --> 00:27:50,000 Sorry. 640 00:27:50,000 --> 00:27:51,000 I'm thinking. 641 00:27:51,000 --> 00:27:53,000 All right. 642 00:27:53,000 --> 00:27:54,000 Okay. 643 00:27:54,000 --> 00:27:58,000 Let's, let's go to the left. 644 00:27:58,000 --> 00:27:59,000 Okay. 645 00:27:59,000 --> 00:28:02,000 I'm not prepared to go out into the forest right now. 646 00:28:02,000 --> 00:28:03,000 That goes out into the forest? 647 00:28:03,000 --> 00:28:06,000 Well, the one going straight does, I think. 648 00:28:06,000 --> 00:28:07,000 Yeah, I think so. 649 00:28:07,000 --> 00:28:08,000 Okay. 650 00:28:08,000 --> 00:28:09,000 Okay. 651 00:28:09,000 --> 00:28:10,000 Well, let's go back this way. 652 00:28:10,000 --> 00:28:11,000 All right. 653 00:28:11,000 --> 00:28:12,000 Follow me. 654 00:28:12,000 --> 00:28:14,000 And she confidently walks. 655 00:28:14,000 --> 00:28:15,000 Okay. 656 00:28:15,000 --> 00:28:16,000 Yeah. 657 00:28:16,000 --> 00:28:18,000 Tally's following behind you a little trepidatiously, but as you, as you 658 00:28:18,000 --> 00:28:26,000 continue, you walk far enough that you feel you have a sense that you are 659 00:28:26,000 --> 00:28:30,000 making your way through the center of town. 660 00:28:30,000 --> 00:28:35,000 And then the tunnel itself begins to, to branch off in several different 661 00:28:35,000 --> 00:28:37,000 directions. 662 00:28:37,000 --> 00:28:43,000 Make a another survival check. 663 00:28:43,000 --> 00:28:46,000 Nine. 664 00:28:46,000 --> 00:28:49,000 I don't know where I am. 665 00:28:49,000 --> 00:28:52,000 How, how, how, how are we doing? 666 00:28:52,000 --> 00:28:54,000 See your candles about halfway down. 667 00:28:54,000 --> 00:28:57,000 Maybe that's a good point that we should like start to start to go back 668 00:28:57,000 --> 00:29:02,000 and we haven't found anywhere to anywhere this comes out yet. 669 00:29:02,000 --> 00:29:04,000 Like maybe we come back another time. 670 00:29:04,000 --> 00:29:06,000 Well, yeah, but hold on a second. 671 00:29:06,000 --> 00:29:07,000 Okay. 672 00:29:07,000 --> 00:29:15,000 And out from her bucket, she takes a small dagger, small knife and carves 673 00:29:15,000 --> 00:29:21,000 an A into the earthen walls of the tunnel. 674 00:29:21,000 --> 00:29:22,000 Okay. 675 00:29:22,000 --> 00:29:23,000 All right. 676 00:29:23,000 --> 00:29:24,000 Let's go back. 677 00:29:24,000 --> 00:29:30,000 As you turn, you catch out of the corner of your eye down one of these, one 678 00:29:30,000 --> 00:29:33,000 of these branches of the tunnel system. 679 00:29:33,000 --> 00:29:40,000 It looks like there's a, just the smallest shred of daylight down at one 680 00:29:40,000 --> 00:29:41,000 of the far ends. 681 00:29:41,000 --> 00:29:44,000 That would be super noticeable in a totally black tunnel. 682 00:29:44,000 --> 00:29:47,000 Tally, look. 683 00:29:47,000 --> 00:29:51,000 Oh, hey, is that, that looks like, that looks like, like maybe there's a, 684 00:29:51,000 --> 00:29:53,000 there's an opening down there. 685 00:29:53,000 --> 00:29:55,000 Are you feeling brave? 686 00:29:55,000 --> 00:29:58,000 Yes. 687 00:29:58,000 --> 00:29:59,000 Yes. 688 00:29:59,000 --> 00:30:00,000 Yes. 689 00:30:00,000 --> 00:30:01,000 Shaking your head. 690 00:30:01,000 --> 00:30:02,000 Shaking your head no. 691 00:30:02,000 --> 00:30:03,000 I think so. 692 00:30:03,000 --> 00:30:04,000 But says yes. 693 00:30:04,000 --> 00:30:07,000 Is it, which of these branches? 694 00:30:07,000 --> 00:30:11,000 You've gone, you've marked your A, you've turned around. 695 00:30:11,000 --> 00:30:15,000 So it is, I'm going to draw a tunnel system. 696 00:30:15,000 --> 00:30:19,000 When I, when I build this map that I'm working on, it's taking a long time. 697 00:30:19,000 --> 00:30:20,000 It's all good. 698 00:30:20,000 --> 00:30:21,000 Building cities are hard. 699 00:30:21,000 --> 00:30:22,000 It's fine. 700 00:30:22,000 --> 00:30:26,000 We've got like, I don't know what, like two, three years at this. 701 00:30:26,000 --> 00:30:27,000 Yeah. 702 00:30:27,000 --> 00:30:28,000 This season's going to last. 703 00:30:28,000 --> 00:30:29,000 We've got time. 704 00:30:29,000 --> 00:30:31,000 You've, you've turned around. 705 00:30:31,000 --> 00:30:38,000 You've passed down, let's say 15 branches. 706 00:30:38,000 --> 00:30:39,000 Making it hard for myself. 707 00:30:39,000 --> 00:30:40,000 15. 708 00:30:40,000 --> 00:30:41,000 Yeah, right. 709 00:30:41,000 --> 00:30:42,000 Okay. 710 00:30:42,000 --> 00:30:46,000 You turn back and it is the second one on the right that you pass back. 711 00:30:46,000 --> 00:30:48,000 So it's the 13th branch. 712 00:30:48,000 --> 00:30:50,000 Fuck you, Russ. 713 00:30:50,000 --> 00:30:51,000 Wow. 714 00:30:51,000 --> 00:30:53,000 Yeah, fuck you, Russ. 715 00:30:53,000 --> 00:30:54,000 Jesus Christ. 716 00:30:54,000 --> 00:30:57,000 Okay. 717 00:30:57,000 --> 00:30:58,000 All right, Tally. 718 00:30:58,000 --> 00:31:01,000 I want to go there, but there's something I got to do first. 719 00:31:01,000 --> 00:31:02,000 Follow me. 720 00:31:02,000 --> 00:31:06,000 And she goes back the way she came. 721 00:31:06,000 --> 00:31:07,000 Like back to home. 722 00:31:07,000 --> 00:31:08,000 Great. 723 00:31:08,000 --> 00:31:14,000 And from the first fork. 724 00:31:14,000 --> 00:31:17,000 She writes a one and a two. 725 00:31:17,000 --> 00:31:22,000 And then she goes back the same way. 726 00:31:22,000 --> 00:31:27,000 And each branch of a tunnel that she comes across, she writes a different number. 727 00:31:27,000 --> 00:31:29,000 A three, a four. 728 00:31:29,000 --> 00:31:32,000 And she's labeling the tunnels for herself. 729 00:31:32,000 --> 00:31:34,000 Okay. 730 00:31:34,000 --> 00:31:36,000 She's savvy like that. 731 00:31:36,000 --> 00:31:37,000 She doesn't want to get lost down here. 732 00:31:37,000 --> 00:31:43,000 That makes this branch number 15 because I didn't count those first two. 733 00:31:43,000 --> 00:31:45,000 You did this to yourself. 734 00:31:45,000 --> 00:31:49,000 Like I don't even feel sorry for you at this point. 735 00:31:49,000 --> 00:31:50,000 Okay, so. 736 00:31:50,000 --> 00:31:51,000 Yeah. 737 00:31:51,000 --> 00:31:52,000 All right, there. 738 00:31:52,000 --> 00:31:53,000 Now we're not going to get lost. 739 00:31:53,000 --> 00:32:05,000 Now if we get to use them and you need to go and get something and I need to send you down here, I can be like, Tally, take the first tunnel and then take the ninth tunnel and then whatever. 740 00:32:05,000 --> 00:32:06,000 And then whatever. 741 00:32:06,000 --> 00:32:07,000 And then whatever. 742 00:32:07,000 --> 00:32:08,000 Okay. 743 00:32:08,000 --> 00:32:09,000 Okay. 744 00:32:09,000 --> 00:32:10,000 Okay. 745 00:32:10,000 --> 00:32:11,000 Okay. 746 00:32:11,000 --> 00:32:12,000 Okay. 747 00:32:12,000 --> 00:32:13,000 Okay. 748 00:32:13,000 --> 00:32:14,000 Okay. 749 00:32:14,000 --> 00:32:15,000 So are we going to go check out the light? 750 00:32:15,000 --> 00:32:16,000 Heck yes, we are. 751 00:32:16,000 --> 00:32:17,000 Okay, let's go. 752 00:32:17,000 --> 00:32:19,000 You have walked all the way back and then I assume we have to assume you like ran back. 753 00:32:19,000 --> 00:32:20,000 Oh, yeah. 754 00:32:20,000 --> 00:32:21,000 They're children. 755 00:32:21,000 --> 00:32:22,000 They're excited. 756 00:32:22,000 --> 00:32:24,000 So your candle is down to like a nub at this point. 757 00:32:24,000 --> 00:32:34,000 As it is flickering, Alydin brings out another candle and lights it with the dying flame of the first one. 758 00:32:34,000 --> 00:32:35,000 Bring one candle in. 759 00:32:35,000 --> 00:32:38,000 This is not her first rodeo being somewhere dark. 760 00:32:38,000 --> 00:32:45,000 You make your way down to the end of this tunnel and it is in fact like a wooden panel up in the ceiling. 761 00:32:45,000 --> 00:32:49,000 There are a couple steps that go up to it. 762 00:32:49,000 --> 00:32:51,000 Okay, shh. 763 00:32:51,000 --> 00:32:52,000 Okay. 764 00:32:52,000 --> 00:32:55,000 What did I say about your breathing? 765 00:32:55,000 --> 00:32:57,000 Sorry. 766 00:32:57,000 --> 00:33:08,000 And Alydin sneaks up to it and like tries to look up through the cracks. 767 00:33:08,000 --> 00:33:10,000 I assume I see a ceiling. 768 00:33:10,000 --> 00:33:11,000 Yeah, you get close to it. 769 00:33:11,000 --> 00:33:14,000 You don't hear anything at first. 770 00:33:14,000 --> 00:33:21,000 But as you look up, you hear what sounds like a fire burning on the other side. 771 00:33:21,000 --> 00:33:23,000 And you're standing there listening. 772 00:33:23,000 --> 00:33:27,000 Tali's holding her breath behind you. 773 00:33:27,000 --> 00:33:35,000 You hear some footsteps off to the side and then you hear the sound of like hammer on steel. 774 00:33:35,000 --> 00:33:48,000 At that sound, because before it was just crackling fire, at the sharp sound of metal on metal, the girls like duck and hit the floor. 775 00:33:48,000 --> 00:33:51,000 Completely forgetting that they are unseen in a tunnel. 776 00:33:51,000 --> 00:33:52,000 But that's what happens. 777 00:33:52,000 --> 00:33:53,000 A loud noise happens. 778 00:33:53,000 --> 00:33:57,000 You scatter. 779 00:33:57,000 --> 00:33:58,000 Are you okay? 780 00:33:58,000 --> 00:33:59,000 Yeah, yeah. 781 00:33:59,000 --> 00:34:00,000 Okay. 782 00:34:00,000 --> 00:34:01,000 What was that? 783 00:34:01,000 --> 00:34:03,000 Clangin'. 784 00:34:03,000 --> 00:34:04,000 Is that good? 785 00:34:04,000 --> 00:34:06,000 Or is that bad? 786 00:34:06,000 --> 00:34:09,000 But listen, what does it sound like to you? 787 00:34:09,000 --> 00:34:18,000 Sounds like the metal workers. 788 00:34:18,000 --> 00:34:19,000 That's right. 789 00:34:19,000 --> 00:34:22,000 I think we're right under Everbane's. 790 00:34:22,000 --> 00:34:25,000 Oh, that's like right in the hot block. 791 00:34:25,000 --> 00:34:26,000 That's pretty cool. 792 00:34:26,000 --> 00:34:27,000 Well, yeah. 793 00:34:27,000 --> 00:34:33,000 If that goes up under here, Tali, do you know what that means? 794 00:34:33,000 --> 00:34:35,000 No. 795 00:34:35,000 --> 00:34:46,000 That means that it probably has different tunnels going to the underneath of different shops all through the city. 796 00:34:46,000 --> 00:34:48,000 That's pretty neat. 797 00:34:48,000 --> 00:34:52,000 And I can go wherever I want and no one can see. 798 00:34:52,000 --> 00:34:54,000 Very cool. 799 00:34:54,000 --> 00:34:55,000 Days can't see. 800 00:34:55,000 --> 00:34:57,000 Days can't see. 801 00:34:57,000 --> 00:35:02,000 And then suddenly Alydin grabs a fronted tally shirt and hauls her forward. 802 00:35:02,000 --> 00:35:04,000 He goes, you cannot tell a soul about this. 803 00:35:04,000 --> 00:35:05,000 Okay. 804 00:35:05,000 --> 00:35:06,000 Not the kids. 805 00:35:06,000 --> 00:35:07,000 Not the kids. 806 00:35:07,000 --> 00:35:08,000 Nobody. 807 00:35:08,000 --> 00:35:09,000 Nobody. 808 00:35:09,000 --> 00:35:10,000 You take it to your grave. 809 00:35:10,000 --> 00:35:11,000 No. 810 00:35:11,000 --> 00:35:12,000 You die with this secret. 811 00:35:12,000 --> 00:35:13,000 Okay. 812 00:35:13,000 --> 00:35:14,000 Oh. 813 00:35:14,000 --> 00:35:16,000 Okay. 814 00:35:16,000 --> 00:35:17,000 Cross my heart. 815 00:35:17,000 --> 00:35:18,000 Hope to... 816 00:35:18,000 --> 00:35:19,000 Hope to die. 817 00:35:19,000 --> 00:35:20,000 Stick a needle in your eye. 818 00:35:20,000 --> 00:35:21,000 Sing it. 819 00:35:21,000 --> 00:35:22,000 Stick a needle in my eye. 820 00:35:22,000 --> 00:35:23,000 Pinky promise. 821 00:35:23,000 --> 00:35:24,000 Pinky promise. 822 00:35:24,000 --> 00:35:25,000 Spit on your palm. 823 00:35:25,000 --> 00:35:26,000 Shake. 824 00:35:26,000 --> 00:35:27,000 Shake. 825 00:35:29,000 --> 00:35:35,000 For anyone who's listening and is like, wow, that sounds like, that sounds real serious. 826 00:35:35,000 --> 00:35:37,000 You have not heard children talk. 827 00:35:37,000 --> 00:35:38,000 Yeah. 828 00:35:38,000 --> 00:35:43,000 These are the conversations I hear on the playground and supervision. 829 00:35:43,000 --> 00:35:51,000 And then after that, Alydin lets go of tally, like, satisfied that she's not going to tell a single soul. 830 00:35:51,000 --> 00:35:52,000 Yeah. 831 00:35:52,000 --> 00:36:06,000 And then creeps back up to listen and to just press lightly on the boards to see if there's any give to them. 832 00:36:06,000 --> 00:36:12,000 You press on the boards and it feels like there's a weight on top, but it's not like there's a crate on top. 833 00:36:12,000 --> 00:36:21,000 It feels like there's earth on top and like perhaps that this has been like scuffed away to allow the light through. 834 00:36:21,000 --> 00:36:26,000 You push a little bit at first and there's not much movement. 835 00:36:26,000 --> 00:36:35,000 You give a little harder push and dirt and sand begins to pour in from the edges and the different breaks in the board. 836 00:36:35,000 --> 00:36:50,000 You give maybe a little too vigorous bump and the hammering stops as you hold it back down and pauses for a moment and then continues again. 837 00:36:50,000 --> 00:36:53,000 Oh, that was close. 838 00:36:53,000 --> 00:36:56,000 Tally, I really want to get in there. 839 00:36:56,000 --> 00:36:58,000 You want to go in there right now? 840 00:36:58,000 --> 00:37:00,000 It sounds like somebody's in there. 841 00:37:00,000 --> 00:37:04,000 Or should we come back at night? 842 00:37:04,000 --> 00:37:05,000 Yep. 843 00:37:05,000 --> 00:37:07,000 We're coming back tonight. 844 00:37:07,000 --> 00:37:09,000 Cool. 845 00:37:09,000 --> 00:37:12,000 And we don't get lost going back. 846 00:37:12,000 --> 00:37:15,000 No, but you ended your episode in the tunnels. 847 00:37:15,000 --> 00:37:17,000 Fuck! 848 00:37:17,000 --> 00:37:18,000 Fuck! 849 00:37:18,000 --> 00:37:19,000 True. 850 00:37:49,000 --> 00:37:53,000 Our amazing cover art and character designs are by Matt Garbutt. 851 00:37:53,000 --> 00:37:56,000 A huge thank you to our supporting producers. 852 00:37:56,000 --> 00:38:09,000 Gabriel Lynch, Jessica Babiak, Cat Waterflame, Jacob Madden, Christian Brown, Craig Zeiss, Perry Matey, Ongaron Kierzen, Old School Gamer D, L.A. Branton, Nathaniel Teeter, Luna, and Aaron. 853 00:38:09,000 --> 00:38:14,000 Join us today at patreon.com slash dumb dragon cast with a free seven day trial. 854 00:38:14,000 --> 00:38:16,000 You can help us build the world. 855 00:38:16,000 --> 00:38:22,000 We've got so much bonus content coming your way that are you even going to have time to listen to it all? 856 00:38:22,000 --> 00:38:23,000 Probably. 857 00:38:23,000 --> 00:38:24,000 Probably is the answer. 858 00:38:24,000 --> 00:38:27,000 Before, after, during that, whenever. 859 00:38:27,000 --> 00:38:28,000 Did you know we have a newsletter? 860 00:38:28,000 --> 00:38:35,000 There's a link tree down in the description where you can sign up for our newsletter, get informed at the beginning of the month of what's coming up, what's coming your way. 861 00:38:35,000 --> 00:38:38,000 We've got a lot of things that we're very excited about and we want you to know. 862 00:38:38,000 --> 00:38:40,000 So sign up for that. 863 00:38:40,000 --> 00:38:41,000 Join us on Discord. 864 00:38:41,000 --> 00:38:43,000 Come join us on Patreon. 865 00:38:43,000 --> 00:38:45,000 Those are the three main ones. 866 00:38:45,000 --> 00:38:48,000 If you're doing any or all of those, we appreciate you. 867 00:38:48,000 --> 00:38:50,000 So thank you for listening. 868 00:38:50,000 --> 00:38:51,000 That's it for this week. 869 00:38:51,000 --> 00:38:53,000 We hope you enjoyed the fun. 870 00:38:53,000 --> 00:38:55,000 Have a great week and we'll talk to you soon. 871 00:38:57,000 --> 00:38:58,000 Fuck it. 872 00:38:58,000 --> 00:38:59,000 Let's play. 873 00:39:06,000 --> 00:39:11,000 I love the four minutes of silence that happens after it's played. 874 00:39:11,000 --> 00:39:12,000 Let's play. 875 00:39:12,000 --> 00:39:20,000 It's usually done for a reason, because if there's silence, then I can pull what I need to remove the room noise. 876 00:39:20,000 --> 00:39:21,000 Yeah, but it's funnier. 877 00:39:21,000 --> 00:39:22,000 Yeah. 878 00:39:22,000 --> 00:39:24,000 Good job, Tali. 879 00:39:24,000 --> 00:39:32,000 So I think we are right under where... 880 00:39:32,000 --> 00:39:34,000 My god, what's your last name? 881 00:39:34,000 --> 00:39:35,000 Everbane. 882 00:39:35,000 --> 00:39:36,000 I was like, Brisbane. 883 00:39:36,000 --> 00:39:37,000 No. 884 00:39:37,000 --> 00:39:39,000 That's a place. 885 00:39:39,000 --> 00:39:41,000 Right-o, mate. 886 00:39:41,000 --> 00:39:43,000 Off to Canberra next.